Living and working as he did throughout the entirety of France’s “Golden Age” of classical music, Florent Schmitt was well-acquainted with all of the significant composers of the day in Paris. Among the most famous of them — Achille-Claude Debussy, Maurice Ravel, Albert Roussel and Paul Dukas — the latter three were particularly close friends […]
Tag Archives: Gabriel Pierne
The 2020-21 season includes performances of the small-orchestra version in Japan, Germany and France. As is so well-known to music-lovers everywhere, the COVID-19 pandemic has wreaked havoc on concert-going the world over. For too many orchestras and chamber ensembles, the entire 2020-21 season has been a total bust — or at the very least, upended […]
Over a composing career of seven decades, Florent Schmitt would pen music featuring nearly every instrument of the symphony orchestra in a solo capacity. The cello was no exception. In fact, Schmitt composed three concertante pieces featuring the cello — one each during his early, middle and late period of creativity. The earliest of the […]
Published in English and French versions, the book is available for viewing and download free of charge. Recently, the music publishing firm Durand-Salabert-Eschig (part of Universal Music Publishing Group) released a book titled A French Touch: Rediscovering a Uniquely French Symphonic Repertoire. Researched and written by French musicologist and author Nicolas Southon, the slender volume (44 pages long) […]
Maurice Ravel’s Gaspard de la nuit is justly recognized as that composer’s most towering achievement in piano keyboard writing. Composed in 1908, this set of three pieces (Ondine, Le Gibet, Scarbo) which take their inspiration from a book by Aloysius Bertrand, are the most technically demanding and revolutionary of Ravel’s piano works. Far less well-known but equally […]
“… An extravagant outburst of highly perfumed Franco-exoticism at its most virile, heroic and exalted … I can’t think of another piece that achieves — or even attempts — quite the impact made by this work.” — Walter Simmons, author and music critic, Fanfare Magazine “Regarding the Psaume, what can we say that hasn’t already […]