Musicologist and conductor César Leal talks about the impresario Gabriel Astruc and his consequential role in Parisian musical and artistic life in the early 1900s.

Not long ago, I compiled a listing of published biographies, other books and dissertations that cover music and the arts in Paris during the time of Florent Schmitt’s career as a composer (roughly the 70-year period from 1890 to 1960).  Among the many documents I discovered, one of the most interesting was one that focused […]

Clavecin obtempérant (1945), Florent Schmitt’s endlessly fascinating harpsichord suite created for Marcelle de Lacour.

Over a lengthy career spanning more than seven decades, the French composer Florent Schmitt created numerous works that showcased the special qualities of various different instruments — including some that are not so often the “featured celebrities” in scores. As an accomplished keyboard artist, it’s no surprise that the composer’s catalogue of works contains many […]