French music specialist Michael Feingold talks about creating orchestrations of Maurice Ravel’s piano and vocal scores.

Regular readers of the Florent Schmitt Website + Blog know that sometimes we “relax the routine” and publish an article that focuses on a different composer – usually a contemporary of Schmitt. Of the many fellow composers who Schmitt interacted with during his lengthy career, one with whom he shared an enduring professional and personal bond […]

Conductor and educator Armand Hall talks about the journey of Florent Schmitt’s Dionysiaques (1913) to its pinnacle position in the concert band repertoire.

“In my estimation, Dionysiaques is the first truly artistic work created for large concert band … Regardless of how many times I listen to Dionysiaques, it always feels new and interesting.  It also suggests that Florent Schmitt considered the wind band ensemble to be ‘without limits’.”  — Dr. Armand Hall,  American conductor and educator Florent […]

French Pianist Vincent Larderet Talks about Performing and Recording the Music of Florent Schmitt

To say that Vincent Larderet is one of the most accomplished of the younger generation of classical pianists would be an understatement. As a Steinway Artist, Mr. Larderet has attracted international recognition by virtue of the exceptional intensity of his performances and commercial recordings, praised by critics not only in his native France but also in Continental […]

Hallucinatory Atmospherics: Florent Schmitt’s Rêves (1915)

Sprinkled throughout the catalogue of Florent Schmitt’s compositions are a goodly number of shorter orchestral pieces. They range in their moods from contemplative to joyous to stormy. One of these orchestral miniatures that I find particularly compelling is Rêves, Op. 65 (Dreams), a work that Schmitt began composing in 1913.  He prepared a piano version […]