Musicologist Megan Varvir Coe talks about the Symbolist roots of Florent Schmitt’s ballet La Tragédie de Salomé (1907/10).

Along with his concert band masterpiece Dionysiaques, La Tragédie de Salomé, Op. 50 is French composer Florent Schmitt’s best-known score.  But most music-lovers know only the version that Schmitt prepared in 1910 for large orchestra.  Three years earlier, an original version twice as long had been created by Schmitt for the American dancer Loïe Fuller, who presented it at […]

Florent Schmitt’s early art songs: A trove of treasures awaits rediscovery.

Recently, the INA archives (French National Radio and Television) has begun offering for download a memorial concert held in honor of Florent Schmitt.  The concert, which was broadcast in October 1958 two months following the composer’s death, has never been made available since its initial airing until now. The memorial program featured five works by Schmitt including […]

Hallucinatory Atmospherics: Florent Schmitt’s Rêves (1915)

Sprinkled throughout the catalogue of Florent Schmitt’s compositions are a goodly number of shorter orchestral pieces. They range in their moods from contemplative to joyous to stormy. One of these orchestral miniatures that I find particularly compelling is Rêves, Op. 65 (Dreams), a work that Schmitt began composing in 1913.  He prepared a piano version […]