In June 2022, the BIS label is releasing an important new recording that features French trumpet repertoire performed by the noted soloist Håkan Hardenberger along with the Royal Stockholm Philharmonic Orchestra conducted by Fabien Gabel. The recording is the realization of Mr. Hardenberger’s goal to record the trumpet concertante works of Henri Tomasi, André Jolivet, […]
Tag Archives: Desire Inghelbrecht
The 2020-21 season includes performances of the small-orchestra version in Japan, Germany and France. As is so well-known to music-lovers everywhere, the COVID-19 pandemic has wreaked havoc on concert-going the world over. For too many orchestras and chamber ensembles, the entire 2020-21 season has been a total bust — or at the very least, upended […]
For music-lovers who aren’t very familiar with the music of Florent Schmitt, they may well think that the composer is German. Or at the very least, they might assume that the music bears a strong resemblance to Germanic musical style. Of course, for those who know Schmitt and his artistry, they realize that any “German” musical influence falls well-behind French influence […]
One of the lesser known of Florent Schmitt’s “orientalist” works is Danse d’Abisag, Opus 75. This work, which was composed in 1925, began life as a choreographic work but soon migrated to the concert hall. In creating the orientalist works upon which so much of his fame rests, Schmitt derived inspiration from historical, biblical and fictional events. Danse […]
Recently, the INA archives (French National Radio and Television) has begun offering for download a memorial concert held in honor of Florent Schmitt. The concert, which was broadcast in October 1958 two months following the composer’s death, has never been made available since its initial airing until now. The memorial program featured five works by Schmitt including […]
There is little question that Florent Schmitt’s Psaume XLVII, Op. 38, composed in 1904, is one of the most powerful compositions in the choral repertoire. Indeed, the forces called for in this music — large chorus, large orchestra, soprano solo and organ — make it nearly unique in the French repertoire. When it had its premiere in […]
For many classical music lovers, nothing can compare to a live performance. While studio recordings promise greater precision and better sound quality — along with the absence of distracting audience noise – often this comes at the expense of spontaneity and immediacy. And for a piece of music as viscerally thrilling as Florent Schmitt’s Psalm […]