Six important compositions of Florent Schmitt to be featured in the upcoming 2016/17 concert season by orchestras in Asheville, Berlin, Bern, Bordeaux, Liège, London, Metz, Neuss-am-Rhein, Paris, Philadelphia, Québec, Seoul, Spokane, Stockholm and Tokyo.

The international Bachtrack website is in the process of uploading its global database of classical music programs for the upcoming season. Although it isn’t an exhaustive listing of every orchestral group, the site covers nearly all of the major orchestras, opera and ballet companies and other important ensembles around the world, making it the “go-to” […]

French conductor Jean-Luc Tingaud, soprano Ewa Biegas and choral director Teresa Majka-Pacanek talk about the 2016 Polish premiere performances of Florent Schmitt’s choral masterpiece Psalm 47 (1904).

Florent Schmitt’s powerful choral work Psalm XLVII may have been composed in 1904, but it took more than a century for the piece to receive its premiere performances in Poland, in February 2016. That’s when French conductor Jean-Luc Tingaud and the Krakow Philharmonic Orchestra joined forces with the Krakow Philharmonic Choir, directed by Teresa Majka-Pacanek and soprano […]

In the chamber of the Shulamite: The great sopranos who have performed and recorded Florent Schmitt’s Psalm 47 (1904).

The Psaume XLVII of Florent Schmitt is recognized as one of the most important choral works of the early 20th century.  And while it isn’t performed with great regularity, it has benefited from quality interpretations as revealed by some of the world’s leading conductors, ensembles and soloists. Particular pride of place goes to a group […]

Choral chromaticism par excellence: Florent Schmitt’s Cinq chœurs en vingt minutes for mixed chorus and large orchestra (1951).

Within the extensive catalogue of Florent Schmitt’s compositions are a great many vocal works — pieces written for solo voice or for chorus.  In fact, there are over 50 such opus numbers. Many of Schmitt’s choral works are based on sacred texts, although often the scores seem quite removed from a sense of piety.  Perhaps the best-known example of […]

Powerful Sounds: The Seven Commercial Recordings of Florent Schmitt’s Psaume 47 (1904)

There is little question that Florent Schmitt’s Psaume XLVII, Op. 38, composed in 1904,  is one of the most powerful compositions in the choral repertoire. Indeed, the forces called for in this music — large chorus, large orchestra, soprano solo and organ — make it nearly unique in the French repertoire.  When it had its premiere in […]

Excitement on Steroids: Six Live Concert Recordings of Florent Schmitt’s Blockbuster Choral Composition Psalm 47 (1904)

For many classical music lovers, nothing can compare to a live performance.  While studio recordings promise greater precision and better sound quality — along with avoiding distracting audience noise – often this comes at the expense of spontaneity and immediacy. And for a piece of music as viscerally thrilling as Florent Schmitt’s Psalm XLVII, Op. 38, composed […]

The Influence of Florent Schmitt’s Psaume XLVII (1904) on Other French Composers

When Florent Schmitt’s monumental score Psaume XLVII was premiered in December 1906, it burst upon the Parisian music scene in a big way. Nothing this grandiose had been heard outside the opera house since the days of Berlioz. The French poet and essayist Léon-Paul Fargue echoed the sentiments of many when he wrote of the Psalm: […]