Horn soloist Corbin Wagner talks about performing Lied et scherzo (1910), Florent Schmitt’s extraordinary double wind quintet composition featuring the French horn.

One of the most fascinating pieces of music featuring the French horn is Florent Schmitt’s Lied et scherzo, Op. 54.  Originally composed in 1910 for double wind quintet in which one of the horns plays an important solo role, subsequently the composer prepared three other versions of this music:  one for horn and piano; another […]

Five important compositions of Florent Schmitt to be featured in the upcoming 2016/17 concert season by orchestras in Asheville, Berlin, Bern, Liège, London, Metz, Paris, Philadelphia, Québec, Seoul, Spokane, Stockholm and Tokyo.

The international Bachtrack website is in the process of uploading its global database of classical music programs for the upcoming season. Although it isn’t an exhaustive listing of every orchestral group, the site covers nearly all of the major orchestras, opera and ballet companies and other important ensembles around the world, making it the “go-to” […]

French conductor Jean-Luc Tingaud, soprano Ewa Biegas and choral director Teresa Majka-Pacanek talk about the 2016 Polish premiere performances of Florent Schmitt’s choral masterpiece Psalm 47 (1904).

Florent Schmitt’s powerful choral work Psalm XLVII may have been composed in 1904, but it took more than a century for the piece to receive its premiere performances in Poland, in February 2016. That’s when French conductor Jean-Luc Tingaud and the Krakow Philharmonic Orchestra joined forces with the Krakow Philharmonic Choir, directed by Teresa Majka-Pacanek and soprano […]

Conductor Jean-Luc Tingaud talks about Florent Schmitt’s choral masterpiece Psalm 47 (1904) and introducing the music to concert audiences in Poland.

“It’s the sensuality — as well as the expressive power borne from Florent Schmitt’s exceptional mastery of massed musical forces and contrasts …”  — Jean-Luc Tingaud, French Orchestral and Operatic Conductor This month, French conductor Jean-Luc Tingaud will be leading the first-ever concert performances of Florent Schmitt’s blockbuster choral work Psaume XLVII in Poland, conducting the […]

In the chamber of the Shulamite: The great sopranos who have performed and recorded Florent Schmitt’s Psalm 47 (1904).

The Psaume XLVII of Florent Schmitt is recognized as one of the most important choral works of the early 20th century.  And while it isn’t performed with great regularity, it has benefited from quality interpretations as revealed by some of the world’s leading conductors, ensembles and soloists. Particular pride of place goes to a group […]

Choral chromaticism par excellence: Florent Schmitt’s Cinq chœurs en vingt minutes for mixed chorus and large orchestra (1951).

Within the extensive catalogue of Florent Schmitt’s compositions are a great many vocal works — pieces written for solo voice or for chorus.  In fact, there are over 50 such opus numbers. Many of Schmitt’s choral works are based on sacred texts, although often the scores seem quite removed from a sense of piety.  Perhaps the best-known example of […]

Experiencing Florent Schmitt’s Psaume XLVII in concert: An eyewitness report from Berlin.

On Sunday afternoon, March 1, 2015, the Berlin Radio Symphony Orchestra and Chorus (Deutsches-Symphonie Orchester Berlin), joined by American soprano Jacquelyn Wagner, performed Florent Schmitt’s monumental Psalm 47, Opus 38. The concert was presented in Philharmonie Hall, famed for its sonic splendor. The forces were led by Marek Janowski, artistic director of the Rundfunk-Sinfonieorchester Berlin, who […]