“White-haired, bearded and thoroughly charming”: American contralto Rita Sebastian’s remembrances of performing with Florent Schmitt at Town Hall in New York City (1932).

One of the serendipitous aspects of music history is coming across rare and precious documents that have remained hidden for decades.  Such an occurrence happened this past summer when JoAnn Falletta, music director of the Buffalo Philharmonic Orchestra, received a package in the mail containing a collection of documents pertaining to a recital given by […]

Members of the Prisma String Trio talk about preparing, performing and recording Florent Schmitt’s endlessly fascinating Trio à cordes (1944).

It was a dream come true for the three Prisma musicians, who prepared for nearly a decade before venturing into the recording hall to document their interpretation of Florent Schmitt’s stunning creation: “a string trio with sextet ambitions.”  Music-lovers who are familiar with Florent Schmitt’s artistry are most likely to know his big orchestral compositions, […]

Fascinating, complex sonorities: Florent Schmitt’s String Trio (1944).

“So dense, so many notes, so many double-stops. So hard to play in tune together, so tricky to balance and to make it sound natural.  But what special notes they are!”    — Michiel Weidner, Prisma String Trio In the latter part of his career, the French composer Florent Schmitt turned his attention to musical […]