Chaîne brisée (1936-37): Florent Schmitt’s posthumous tribute to his friend and fellow-composer Paul Dukas.

Living and working as he did throughout the entirety of France’s “Golden Age” of classical music, Florent Schmitt was well-acquainted with all of the significant composers of the day in Paris.  Among the most famous of them — Achille-Claude Debussy, Maurice Ravel, Albert Roussel and Paul Dukas — the latter three were particularly close friends […]

Quiet intensity and moving moderation: Messe en quatre parties, Florent Schmitt’s final composition (1958).

Many music-lovers I know are under the mistaken impression that Florent Schmitt’s Symphony No. 2, Op. 137 was the last piece the composer created.  It’s a reasonable supposition because the Symphony received its premiere performance in Strasbourg on June 15, 1958, by the French National Radio Orchestra under the direction of Charles Munch, just two […]

Enfants (1940): Florent Schmitt’s evocation of the world of childhood.

During his lengthy career, the French composer Florent Schmitt would periodically turn to the subject of children for musical inspiration – often involving pieces written for piano. In the early 1900s Schmitt composed four collections of piano duets featuring easy primo parts for young pupils. Sur cinq notes (1906); Trois pièces récréatives (1907); Huit courtes pieces […]

Delightful Discourses: Florent Schmitt’s A Tour d’anches for Oboe, Clarinet, Bassoon and Piano (1939-43)

In his later career, the French composer Florent Schmitt would devote more of his energies to composing works for chamber wind ensemble.  Among those works are his quartets for saxophones, flutes, trombones and tuba, and a sextet for clarinets. But Schmitt also composed two highly engaging chamber pieces for diverse winds: A Tour d’anches, Opus 97 […]