Israeli pianist and pedagogue Tomer Lev talks about planning and producing the new NAXOS recording of the Tombeau de Claude Debussy (1920) complete anthology.

“What stands out in Schmitt’s work is the hypnotic-impressionist atmosphere, verging on the surreal. Both the atmospherics and the piano writing … hint very strongly at Debussy’s own aesthetic world.  It creates a kind of spiritual dialogue that Schmitt conducts with his late older colleague.” — Tomer Lev, pianist and pedagogue In late 2020, NAXOS […]

Florent Schmitt looks to the France of antiquity: Quatre poèmes de Ronsard (1941).

In May 1924, a new edition of the French magazine La Revue musicale hit the newsstands — one that was devoted to the artistic legacy of Pierre de Ronsard, among the most celebrated poets in all of French literary history. The brainchild of Henry Prunières, founder and editorial guiding light of the magazine, the May […]