Jeudis de Florent Schmitt: Florent Schmitt’s longtime home in St-Cloud was a gathering spot for musical Paris for decades.

Much has been written about the famous salonnières of Paris — the wealthy and often-flamboyant grandes dames who opened up their drawing rooms to musicians, authors and artists — facilitating not only the camaraderie of “breaking bread” together but also providing a venue for these creatives to socialize with prominent members of Parisian society representing […]

Quiet intensity and moving moderation: Messe en quatre parties, Florent Schmitt’s final composition (1958).

Many music-lovers I know are under the mistaken impression that Florent Schmitt’s Symphony No. 2, Op. 137 was the last piece the composer created.  It’s a reasonable supposition because the Symphony received its premiere performance in Strasbourg on June 15, 1958, by the French National Radio Orchestra under the direction of Charles Munch, just two […]

Florent Schmitt and Igor Stravinsky: A Consequential Musical Relationship

Throughout his long life and composing career, Florent Schmitt would forge many personal friendships with his counterparts.  He was at the center of musical life in Paris, maintaining particularly close relationships with Maurice Ravel, Albert Roussel, Gabriel Pierné, Paul Dukas, Gabriel Fauré, Guillaume Lekeu and numerous other French composers. He also had decades-long friendships with composers from other […]

The Influence of Florent Schmitt’s Psaume XLVII (1904) on Other French Composers

“Years go by without depriving this musical monument of its nobility and power.  On the contrary, it seems to shine with brighter radiance than when it was new.” — René Dumesnil, music critic, Le Monde When Florent Schmitt’s monumental score Psaume XLVII was premiered in December 1906, it burst upon the Parisian music scene in […]