Experiencing Florent Schmitt’s imposing Piano Quintet (1902-08) in concert: An eyewitness report from Tokyo (April 30, 2026).

Live concert performances of Florent Schmitt’s monumental Piano Quintet, Op. 51 (1902-08) may be an uncommon occurrence, but they’re always a cause for celebration. The most recent presentation of this stunning product of France’s “Golden Age” of music occurred at Toppan Hall in Tokyo, Japan on April 30, 2026. The performance featured pianist Tomoki Sakata joined by […]

Florent Schmitt’s Intense, Monumental Piano Quintet (1902-08)

The catalog of music composed by Florent Schmitt contains numerous chamber works. Among them are three large-scale compositions for string ensemble: the Trio, Op. 105, the Quartet, Op. 112, and the Piano Quintet, Op. 51. The Piano Quintet was the first of these three pieces to be created; Schmitt worked on the score for six […]

Hasards: A Quartet that Illustrates Florent Schmitt’s Highly Interesting Chamber Music Style (1943)

The chamber music pieces of Florent Schmitt are quite interesting and varied. Among them are wonderfully intimate works such as the Sonatine en Trio from 1934 which have a flavor somewhat similar to the chamber works of Schmitt’s compatriots Debussy and Ravel. But there are numerous other Schmitt compositions for chamber players that inhabit a different sound-world – more full-bodied and containing surprising […]