Members of the Garth Newel Piano Quartet talk about preparing Florent Schmitt’s Hasards (1943) for performance.

In April 2016, the Garth Newel Piano Quartet presented Florent Schmitt’s piano quartet Hasards, Op. 96 as part of a chamber music program of French music that also included compositions by Ernest Chausson and Maurice Ravel. I was fortunate enough to attend this concert, played in the aesthetically and acoustically pleasing Herter Hall, a former […]

Forgotten Records: Resurrecting noteworthy recordings of Florent Schmitt’s music from the LP era.

There’s no question that in the past two decades, the breadth and depth of French composer Florent Schmitt’s music that has made it to the microphones has increased dramatically. Nearly every year, we are treated to world premiere recordings of more Schmitt works. The most recent examples are the complete works for piano duo and duet as […]

Élizabeth Herbin, French Pianist and Daughter of Composer René Herbin, Talks about the Music of Florent Schmitt and her Father

The French pianist Élizabeth Herbin has long been a champion of the music of her father, the composer René Herbin (1911-1953). This includes making recordings of his music, including one featuring Herbin’s Quartet #1 for Piano & Strings, composed in 1949. That celebrated recording, on the Gallo label, also contains two works by Florent Schmitt: […]

Hasards: A Quartet that Illustrates Florent Schmitt’s Highly Interesting Chamber Music Style (1943)

The chamber music pieces of Florent Schmitt are quite interesting and varied. Among them are wonderfully intimate works such as the Sonatine en Trio from 1934 which have a flavor somewhat similar to the chamber works of Schmitt’s compatriots Debussy and Ravel. But there are numerous other Schmitt compositions for chamber players that inhabit a different sound-world – more full-bodied and containing surprising […]