Clément Canonne’s second recording of music by Florent Schmitt encompasses all the solo piano scores created by the composer during the 1930s. One of the most interesting and significant recent recordings of Florent Schmitt’s music features three solo piano compositions dating from the composer’s late-career period (the 1940s and ‘50s). The disc was recorded by […]
Tag Archives: Aline van Barentzen
For students of history, the International Exposition of Art and Technology in Modern Life — colloquially known as the Paris Exposition of 1937 — is one of those events that’s been the subject of much sociological dissection, seeing as how it was the last great transnational gathering held on the European continent prior to the […]
One of the lesser known of Florent Schmitt’s so-called “orientalist” works is Danse d’Abisag, Opus 75. This work, which was composed in 1925, began life as a choreographic work but soon migrated to the concert hall. In creating the orientalist works upon which so much of his fame rests, Schmitt derived inspiration from historical, biblical […]
The chamber music pieces of Florent Schmitt are quite interesting and varied. Among them are wonderfully intimate works such as the Sonatine en Trio from 1934 which have a flavor somewhat similar to the chamber works of Schmitt’s compatriots Debussy and Ravel. But there are numerous other Schmitt compositions for chamber players that inhabit a different sound-world – more full-bodied and containing surprising […]