French conductor Fabien Gabel talks about Florent Schmitt’s Ronde burlesque (1927) … and why he champions the music of this composer around the world.

Fabien Gabel is one of France’s leading conductors of the younger generation, with an international career. He has been music director of the Orchestre Symphonique de Québec since 2012, and this year was also named music director of the Orchestre Français des Jeunes, succeeding David Zinman.  In addition, he guest-conducts regularly in the United States and major […]

Members of the Mélomanie chamber ensemble talk about the music of Florent Schmitt and preparing his Sonatine en trio (1935) for performance.

In April 2017, the Delaware-based chamber group Mélomanie presented Florent Schmitt’s Sonatine en trio, Opus 85, an intimate and engaging piece for flute, clarinet and harpsichord the composer created in 1935. The Schmitt Sonatine was part of a fascinating program that featured seven works stretching from the 1600s (Marin Marais) through to contemporary pieces by Nicolas Bacri, Shulamit […]

Six important compositions of Florent Schmitt to be featured in the upcoming 2016/17 concert season by orchestras in Asheville, Berlin, Bern, Liège, London, Metz, Neuss-am-Rhein, Paris, Philadelphia, Québec, Seoul, Spokane, Stockholm and Tokyo.

The international Bachtrack website is in the process of uploading its global database of classical music programs for the upcoming season. Although it isn’t an exhaustive listing of every orchestral group, the site covers nearly all of the major orchestras, opera and ballet companies and other important ensembles around the world, making it the “go-to” […]

Florent Schmitt Goes to Germany: Reflets d’Allemagne (1902-05).

For music-lovers who aren’t very familiar with the music of Florent Schmitt, they may well think that the composer is German. Or at the very least, they might assume that the music bears a strong resemblance to Germanic musical style. Of course, for those who know Schmitt and his artistry, they realize that any “German” musical influence falls well-behind French influence […]

Passionate advocate: French conductor Lionel Bringuier talks about the music of Florent Schmitt and La Tragédie de Salomé.

French conductor Lionel Bringuier’s meteoric rise in the classical music field has been noteworthy.  Not yet 30 years old, he has been conducting major orchestras in the United States and Europe since 2006. Currently, Maestro Bringuier is chief conductor of the Tonhalle Orchestra in Zürich, Switzerland.  Prior to that, he was an associate conductor of […]

Members of the Buffalo Philharmonic Orchestra Talk about Preparing Florent Schmitt’s Music for Performance and Recording

In February and March 2015, the Buffalo Philharmonic Orchestra and its music director, JoAnn Falletta, performed and recorded two of Florent Schmitt’s orchestral works:  the 1900-04 symphonic etude Le Palais hanté, Opus 49 (The Haunted Palace), inspired by a poem of Edgar Allan Poe; and the two Antoine et Cléopâtre Suites, Opus 69, composed in 1920 […]

American orchestra conductor JoAnn Falletta talks about performing and recording the music of Florent Schmitt (Antoine et Cléopâtre and Le Palais hanté).

Recorded in March 2015 by the Buffalo Philharmonic Orchestra, the pieces are slated for release on the NAXOS label later this year. Under its music director JoAnn Falletta, the Buffalo Philharmonic Orchestra has established something of a reputation for programming neglected scores from the late 19th and early 20th centuries, including performances in recent years of works […]