Conductor JoAnn Falletta talks about preparing Florent Schmitt’s Oriane et le Prince d’Amour ballet suite (1933-34) for performance and recording.

On March 7 and 8, 2020, the Buffalo Philharmonic Orchestra under the baton of its music director, JoAnn Falletta, presented what may well be the North American premiere performances of the suite from Florent Schmitt’s ballet Oriane et le Prince d’Amour. Composed in 1933-34 for Ida Rubinstein, the famed dancer and dramatic actress who commanded […]

Experiencing Florent Schmitt’s Antony & Cleopatra (1920) and other orientalist masterpieces from France’s “Golden Age” of classical music live in concert: An eyewitness report from Paris.

American cellist Aaron Merritt and French arts administrator Eric Butruille traveled to the Philharmonie in Paris for the June 2018 event and were interviewed immediately thereafter. On June 9th and 10th, 2018, the Orchestre de Paris presented a program that must rank as one of the most interesting concerts of this year’s artistic season in the […]

Substance as well as style: The Quartet for Strings (1948) of Florent Schmitt.

During the extraordinarily long musical career of Florent Schmitt — which spanned 70 years from the late 1880s to the late 1950s — the composer created works for many combinations of instruments. Early on, there were vast swaths of piano music. Then came the sumptuous orchestral creations between 1900 and the onset of World War […]

French conductor Fabien Gabel talks about Florent Schmitt’s Le Palais hanté (1904) and leading The Cleveland Orchestra in its first performance of this Poe-inspired tone picture.

  On August 19, 2017, French conductor Fabien Gabel led The Cleveland Orchestra in a concert of mainly French music at the Blossom Music Center, the orchestra’s summer home. Not only is Maestro Gabel a tireless advocate for the music of his native country wherever he conducts around the world, the artistry of Florent Schmitt is […]

French conductor Fabien Gabel talks about Florent Schmitt’s Ronde burlesque (1927) … and why he champions the music of this composer around the world.

Fabien Gabel is one of France’s leading conductors of the younger generation, with an international career. He has been music director of the Orchestre Symphonique de Québec since 2012, and this year was also named music director of the Orchestre Français des Jeunes, succeeding David Zinman.  In addition, he guest-conducts regularly in the United States and major […]

Members of the Mélomanie chamber ensemble talk about the music of Florent Schmitt and preparing his Sonatine en trio (1936) for performance.

In April 2017, the Delaware-based chamber group Mélomanie presented Florent Schmitt’s Sonatine en trio, Opus 85, an intimate and engaging piece for flute, clarinet and harpsichord the composer created in 1936. The Schmitt Sonatine was part of a fascinating program that featured seven works stretching from the 1600s (Marin Marais) through to contemporary pieces by Nicolas Bacri, Shulamit […]

Six important compositions of Florent Schmitt to be featured in the upcoming 2016/17 concert season by orchestras in Asheville, Berlin, Bern, Bordeaux, Liège, London, Metz, Neuss-am-Rhein, Paris, Philadelphia, Québec, Seoul, Spokane, Stockholm and Tokyo.

The international Bachtrack website is in the process of uploading its global database of classical music programs for the upcoming season. Although it isn’t an exhaustive listing of every orchestral group, the site covers nearly all of the major orchestras, opera and ballet companies and other important ensembles around the world, making it the “go-to” […]

Florent Schmitt Goes to Germany: Reflets d’Allemagne (1902-05).

For music-lovers who aren’t very familiar with the music of Florent Schmitt, they may well think that the composer is German. Or at the very least, they might assume that the music bears a strong resemblance to Germanic musical style. Of course, for those who know Schmitt and his artistry, they realize that any “German” musical influence falls well-behind French influence […]

Passionate advocate: French conductor Lionel Bringuier talks about the music of Florent Schmitt and La Tragédie de Salomé.

French conductor Lionel Bringuier’s meteoric rise in the classical music field has been noteworthy.  Not yet 30 years old, he has been conducting major orchestras in the United States and Europe since 2006. Currently, Maestro Bringuier is chief conductor of the Tonhalle Orchestra in Zürich, Switzerland.  Prior to that, he was an associate conductor of […]

Members of the Buffalo Philharmonic Orchestra Talk about Preparing Florent Schmitt’s Music for Performance and Recording

In February and March 2015, the Buffalo Philharmonic Orchestra and its music director, JoAnn Falletta, performed and recorded two of Florent Schmitt’s orchestral works:  the 1900-04 symphonic etude Le Palais hanté, Opus 49 (The Haunted Palace), inspired by a poem of Edgar Allan Poe; and the two Antoine et Cléopâtre Suites, Opus 69, composed in 1920 […]

American orchestra conductor JoAnn Falletta talks about performing and recording the music of Florent Schmitt (Antoine et Cléopâtre and Le Palais hanté).

Recorded in March 2015 by the Buffalo Philharmonic Orchestra, the pieces are slated for release on the NAXOS label later this year. Under its music director JoAnn Falletta, the Buffalo Philharmonic Orchestra has established something of a reputation for programming neglected scores from the late 19th and early 20th centuries, including performances in recent years of works […]

Shimmering Brilliance: Florent Schmitt’s Andante et Scherzo for Harp and String Quartet (1903-6)

In the early years of the 20th Century, several French composers would pen some highly interesting compositions that have given harp players some great repertoire items in the ensuing decades. The composers in question were Claude Debussy, André Caplet, Maurice Ravel … and Florent Schmitt.  And the instigation was the arrival of the chromatic harp on […]

Florent Schmitt’s Crépuscules (1898-1911): Richly evocative tone painting in the finest French pianistic tradition.

Composed between 1898 and 1911, Florent Schmitt’s Crépuscules, Op. 56 is a set of four pieces for solo piano that was published in 1913. It’s one of the most compelling French piano works of the period.  It also looks forward to Ombres which came along just a few years later — and which is probably the composer’s ultimate […]

Hasards: A Quartet that Illustrates Florent Schmitt’s Highly Interesting Chamber Music Style (1943)

The chamber music pieces of Florent Schmitt are quite interesting and varied. Among them are wonderfully intimate works such as the Sonatine en Trio from 1934 which have a flavor somewhat similar to the chamber works of Schmitt’s compatriots Debussy and Ravel. But there are numerous other Schmitt compositions for chamber players that inhabit a different sound-world – more full-bodied and containing surprising […]