“At the crossroads of dance, poetry and music”: Les Apaches’ December 2021 live presentation at the Théâtre de l’Athénée in Paris was commercially recorded and has now been released on the b●records label. La Tragédie de Salomé is French composer Florent Schmitt’s most famous work – and it has been so ever since it first […]
Tag Archives: Steven Kruger
Several months ago Sébastien Damarey, a faithful reader of the Florent Schmitt Website + Blog, sent me a very interesting historical artifact — an interview with Florent Schmitt that was published in the January 25, 1929 issue of the French arts magazine Le Guide du concert et des théâtres lyriques. What makes this article particularly […]
A slender, petite man — and the giant legacy he left us — draw parallels with Maurice Ravel. Over the decades, a total of four biographies of the French composer Florent Schmitt have been published – all of them written in French. Three of these biographies were written during the composer’s lifetime, and with his […]
As Florent Schmitt’s star has continued to rise in recent decades, one happy result has been the growing number of recordings helping to fill gaps in the composer’s discography. The trajectory has been real: At the turn of this century, only about half of Florent Schmitt’s compositions had been commercially recorded, but that number is […]
“It’s as if someone said to you: ‘Throw yourself from a fourth-floor window — and mind you, fall gracefully.’” — Claire Croiza, French mezzo-soprano, on Florent Schmitt’s vocal music Music-lovers who are familiar with Florent Schmitt’s catalogue of works know that vocal compositions comprised an important part of his creative output over a seven-decade creative […]
When the composer Florent Schmitt died in August 1958 at the age of nearly 88 years, many prominent musicians, scholars and journalists wrote words of tribute honoring the last of the “grand generation” of French composers that had included, among others, Debussy, Dukas, Ravel, Roussel, Koechlin, Pierné, Cras, Rabaud, Ropartz and Tournemire. Along those lines, […]
Up until recently, familiarity with the earliest compositions of Florent Schmitt was rather scant. The composer’s first works were created in the decade leading up to his winning the Prix de Rome first prize for composition in 1900. It was the period after Schmitt had completed his music studies at the conservatory in Nancy and […]
During the latter years of Florent Schmitt’s long and illustrious career, the composer turned his creative talents increasingly toward music for scored small instrumental forces. Among the notable achievements of this late creative period are the fascinating (and challenging) String Trio (1944) and String Quartet (1948), as well as a group of compositions that showcase […]
Throughout his extraordinarily long and productive life, the French composer Florent Schmitt would return again and again to the human voice. His earliest catalogued compositions dating from the 1880s were various mélodies, and his final work was the Messe en quatres parties for mixed chorus and organ, completed just a few months before his death […]
The new NAXOS release features two iconic ballet suites along with two world premiere recordings. Back in 2015, a recording of the music of Florent Schmitt on the NAXOS label, performed by the Buffalo Philharmonic Orchestra and its music director, JoAnn Falletta, was a noteworthy artistic and commercial success. Today, these same musical forces are […]
It’s quite likely that many music-lovers who know of French composer Florent Schmitt are most familiar with his “big” pieces scored for large orchestral forces, overlaid with sparkling orchestration in the grandest post-Rimsky tradition. And it’s true that many of Schmitt’s best-known works are just those kinds of compositions — pieces like La Tragédie de Salomé, […]
In the late 1980s the first and only commercial recording of Florent Schmitt’s intriguing composition Fonctionnaire MCMXII, Op. 74 (Functionary #1,912) was released on the Cybelia label, featuring the Rhenish State Philharmonic Orchestra conducted by James Lockhart. Schmitt published this symphonic picture 1923, and it received its premiere performance at the Lamoureux Concerts in 1924, conducted […]
One of my favorite critics on the international classical music scene today is Steven Kruger, who is a reviewer for New York Arts and Fanfare magazine. What is particularly special is Kruger’s way of tying his music criticism to broader cultural and artistic undercurrents, often making fresh and novel connections that go unnoticed by others. […]
In the century-long period from 1850 to 1950, the Prix de Rome prize for composition was probably the single most important and prestigious recognition for any French composer. And for that reason, nearly every important French composer strove to win it. Offered to students at the Paris Conservatoire, winners of the award were rewarded with a handsome stipend, along with a multi-year stay […]
Over his long composing career, Florent Schmitt wrote numerous concertante pieces showcasing nearly every instrument of the orchestra. As with a good number of other French composers, some of these works were written as examination pieces for students at the Paris Conservatoire. A representative example is Schmitt’s Suite en trois parties for Trumpet & Piano, Op. […]