Is Florent Schmitt’s Antony & Cleopatra (1920) beginning the transition from “rarity” to “rep we know”?

This year, Florent Schmitt’s opulent score will be presented by two leading orchestras — the Los Angeles Philharmonic and the BBC Symphony — in collaboration with Shakespeare’s Globe. It’s quite interesting to witness a piece of classical music make the journey from being a rarity to becoming mainstream. I can think of several examples, headlined by […]

A Surprising Collaboration and Friendship: Florent Schmitt and Frederick Delius (1894-1934)

One interesting yet virtually unknown early chapter in Florent Schmitt’s musical life involved the work he did in creating the piano/vocal reduction scores of the first four operas of the English composer Frederick Delius (1862-1934). These efforts began around 1894 when Schmitt was not yet 25 years old, with the transcription of Delius’ opera Irmelin.  The […]