Conductor Fabien Gabel is interviewed by Crescendo Magazine about his new recording with Håkan Hardenberger, featuring French music for trumpet and orchestra including Florent Schmitt’s Suite en trois parties (1955).

In June 2022, the BIS label is releasing an important new recording that features French trumpet repertoire performed by the noted soloist Håkan Hardenberger along with the Royal Stockholm Philharmonic Orchestra conducted by Fabien Gabel.  The recording is the realization of Mr. Hardenberger’s goal to record the trumpet concertante works of Henri Tomasi, André Jolivet, […]

Two rarities are among the compositions of Florent Schmitt to be featured in the upcoming 2022-23 concert season, presented by orchestras in Amsterdam, Berlin, Buffalo, Indianapolis, Lübeck, Saint Louis, Stockholm, Tokyo, Warsaw and Wuppertal.

In addition to multiple presentations of Schmitt’s best-known composition La Tragédie de Salomé, music-lovers will be treated to two mid-career works — In Memoriam and the Symphonie concertante. It comes as no surprise that in the upcoming 2022-23 concert season, various conductors and orchestras will be presenting Florent Schmitt’s ballet La Tragédie de Salomé. Not […]

The first-ever video performance of Florent Schmitt’s Psaume XLVII (1904) is now available to view, courtesy of France Télévisions.

On the evening of May 12, 2022, an unforgettable performance of Florent Schmitt’s monumental Psaume XLVII, Op. 38 was presented at Maison de la Radio in Paris.  For those of us who were lucky enough to attend the concert, it was a performance that will long stay in our memories — so fine was the […]

Conductor Fabien Gabel talks about his musical journey with French composer Florent Schmitt.

On May 12, 2022, the French conductor Fabien Gabel stepped up to the podium in the auditorium of Maison de la Radio in Paris to lead the Orchestre National de France in two works by Florent Schmitt:  the symphonic picture Rêves, Op. 65 (dating from 1915) and the large-scale choral work Psaume XLVII, Op. 38 (composed […]

Conductor Fabien Gabel talks about the strategy behind his October 2021 “Salome-centric” concert with the Orchestre du Capitole de Toulouse.

Recently, French conductor Fabien Gabel returned to the Orchestre National du Capitole de Toulouse to lead a concert of music by composers from the 19th and early 20th centuries.  The choice of repertoire was interesting in that it had a distinctly “Salome-centric” cast — featuring the music of Florent Schmitt and Richard Strauss.  But the […]

Håkan Hardenberger and Fabien Gabel talk about making their new orchestral recording featuring twentieth century French trumpet concertante works, including Florent Schmitt’s Suite en trois parties (1955).

In August 2021, the renowned trumpet virtuoso Håkan Hardenberger joined with conductor Fabien Gabel in Stockholm to make a recording of several gleaming jewels of twentieth century French trumpet concertante music. Together with the Royal Stockholm Philharmonic Orchestra, Hardenberger and Gabel have recorded a program that includes: Henri Tomasi: Trumpet Concerto (original version – 1948) […]

Nine important compositions of Florent Schmitt to be featured in the upcoming 2021-22 concert season by orchestras in Avignon, Berlin, Detroit, Geneva, Hamburg, Kyoto, La Coruña, Ljubljana, Malmö, Metz, Osnabrück, Paris, Rochefort, Saratoga Springs, Tokyo, Toulouse and Urbana.

In a classical music world finally emerging from the COVID-19 crisis, orchestras are beginning again to program “large orchestra” works that had been embargoed due to social distancing requirements. It bodes well for French composer Florent Schmitt’s big, highly colorful scores. The year 2020 was one of several important anniversaries for classical music composers.  The […]

Investigating the mystery – and promise – of Florent Schmitt’s “Poèmes des lacs” (Les Barques, Demande, Musique sur l’eau, Soir sur le lac, Tristesse au jardin — 1897-1901)

Recently, two documents have emerged that point to the existence of a long-forgotten grouping of Florent Schmitt’s mélodies that can stand alongside the song cycles of fellow-French composers Henri Duparc, Claude Debussy, Maurice Ravel, Maurice Delage and Louis Aubert. The grouping of Florent Schmitt mélodies carries the umbrella title “Poèmes des lacs,” and some details […]

Five important compositions of Florent Schmitt to be featured in the upcoming 2020-21 concert season by orchestras in Clermont-Ferrand, Duluth, Houston, Indianapolis, London, Lucerne, Osaka, Paris, Québec City, Rochefort, St. Louis, Saratoga Springs, Strasbourg and Tokyo.

In a classical music world turned upside down by the COVID-19 pandemic, orchestras are bravely stepping forward in the 2020-21 concert season to commemorate French composer Florent Schmitt’s 150th birthday anniversary. The international Bachtrack website is in the process of uploading its global database of classical music programs for the coming season. Although it doesn’t […]

Late bloomer? Florent Schmitt’s La Tragédie de Salomé (1907/10) is now making a splash with regional orchestras and student ensembles.

Of Florent Schmitt’s major compositions, undoubtedly the one that has achieved the greatest fame over the decades is the ballet La Tragédie de Salomé, which Schmitt created for the dancer Loïe Fuller who presented the hour-long “mimed drama” at the Théâtre des Arts (now the Théâtre Hébertot) in Paris in 1907. That original version of La […]

Canadian soprano Karina Gauvin and French conductor Fabien Gabel talk about becoming acquainted with Florent Schmitt’s choral spectacular Psalm 47 (1904) and preparing the music for performance.

On May 29, 2019, the Orchestre Symphonique de Quebéc and its chorus presented the orchestra’s final concert of the season – one that featured French music exclusively. The event was a red-carpet affair at the Grand-Théâtre in Québec City in which local dignitaries were invited guests of the orchestra.  Also noteworthy was the centerpiece of […]

Experiencing Florent Schmitt’s Antony & Cleopatra (1920) and other orientalist masterpieces from France’s “Golden Age” of classical music live in concert: An eyewitness report from Paris.

American cellist Aaron Merritt and French arts administrator Eric Butruille traveled to the Philharmonie in Paris for the June 2018 event and were interviewed immediately thereafter. On June 9th and 10th, 2018, the Orchestre de Paris presented a program that must rank as one of the most interesting concerts of this year’s artistic season in the […]

Paul Paray: The conductor who popularized Florent Schmitt’s ballet La Tragédie de Salomé (1907/10) for half a century.

Music history tells us that the French conductor Paul Paray (1886-1979) gave more first performances of Florent Schmitt’s compositions than any other director. Indeed, Maestro Paray premiered nearly a dozen of the composer’s creations spanning more than a quarter-century, including the following works: Trois rapsodies, Op. 53, January 29, 1928 Cinq motets, Op. 60, January 21, 1934 In Memoriam, Op. 72, […]

Four important compositions of Florent Schmitt to be featured in the upcoming 2018/19 concert season by orchestras in Bern, Buffalo, Malmö, Mexico City, Norfolk, Paris, Québec City, Warsaw and Washington.

The international Bachtrack website is in the process of uploading its global database of classical music programs for the upcoming season. Although it isn’t an exhaustive listing of every professional group, the site covers nearly all of the major orchestras, opera and ballet companies around the world, making it the “go-to” resource for information about what’s happening […]

French pianist Bruno Belthoise talks about keeping Florent Schmitt’s Une semaine du petit elfe Ferme-l’oeil (1912) part of his performing repertoire over the years.

In 2013, one of the earliest interviews I conducted for the Florent Schmitt Website + Blog was with the French pianist Bruno Belthoise.  I had discovered him from YouTube, where several movements of Florent Schmitt’s piano four-hand suite Une semaine du petit elfe Ferme-l’oeil, Opus 58 had been uploaded from a performance he gave at the […]