French conductor Fabien Gabel talks about Florent Schmitt’s Ronde burlesque (1927) … and why he champions the music of this composer around the world.

Fabien Gabel is one of France’s leading conductors of the younger generation, with an international career. He has been music director of the Orchestre Symphonique de Québec since 2012, and this year was also named music director of the Orchestre Français des Jeunes, succeeding David Zinman.  In addition, he guest-conducts regularly in the United States and major […]

Five important compositions of Florent Schmitt to be featured in the upcoming 2017/18 concert season by orchestras in Cleveland, London, Lyon, Milwaukee and Paris.

The international Bachtrack website is in the process of uploading its global database of classical music programs for the upcoming season. Although it isn’t an exhaustive listing of every orchestral group, the site covers nearly all of the major orchestras, opera and ballet companies and other important ensembles around the world, making it the “go-to” […]

Bill Barclay, music director of Shakespeare’s Globe, talks about bringing Florent Schmitt’s Antony & Cleopatra (1920) to the Hollywood Bowl and the Barbican Centre.

Florent Schmitt’s incidental music to Antoine et Cléopâtre, Op. 69 is one of the composers most intriguing works – a bright star in the constellation of sumptuous “orientalist” compositions created by this French master. The music was composed for André Gide’s 1920 adaptation of Shakespeare’s play, with the role of Cleopatra performed by the celebrated […]

Experiencing Florent Schmitt’s Antony & Cleopatra (1920) in a dramatic adaptation: An eyewitness report from London.

In 2010, the American conductor JoAnn Falletta resurrected a Florent Schmitt rarity: The Suite No. 1 from the incidental music the composer had written for Andre Gide’s adaptation of William Shakespeare’s play Antony & Cleopatra.  It was an Ida Rubinstein production done in her characteristically outré style: an entire-evening extravaganza mounted at the Paris Opéra. […]

Musicologist and Author Nicolas Southon talks about his new book profiling orchestral works by 16 Francophone composers including Florent Schmitt.

Published in English and French versions, the book is available for viewing and download free of charge. Recently, the music publishing firm Durand-Salabert-Eschig (part of Universal Music Publishing Group) released a book titled A French Touch: Rediscovering a Uniquely French Symphonic Repertoire. Researched and written by French musicologist and author Nicolas Southon, the slender volume (44 pages long) […]

Six important compositions of Florent Schmitt to be featured in the upcoming 2016/17 concert season by orchestras in Asheville, Berlin, Bern, Liège, London, Metz, Neuss-am-Rhein, Paris, Philadelphia, Québec, Seoul, Spokane, Stockholm and Tokyo.

The international Bachtrack website is in the process of uploading its global database of classical music programs for the upcoming season. Although it isn’t an exhaustive listing of every orchestral group, the site covers nearly all of the major orchestras, opera and ballet companies and other important ensembles around the world, making it the “go-to” […]

Is Florent Schmitt’s Antony & Cleopatra (1920) beginning the transition from “rarity” to “rep we know”?

This year, Florent Schmitt’s opulent score will be presented by two leading orchestras — the Los Angeles Philharmonic and the BBC Symphony — in collaboration with Shakespeare’s Globe. It’s quite interesting to witness a piece of classical music make the journey from being a rarity to becoming mainstream. I can think of several examples, headlined by […]