Simplicity meets virtuosity: Florent Schmitt’s a cappella vocal masterpiece En bonnes voix (1938).

Throughout his extraordinarily long and productive life, the French composer Florent Schmitt would return again and again to the human voice.  His earliest catalogued compositions dating from the 1880s were various mélodies, and his final work was the Messe en quatres parties for mixed chorus and organ, completed just a few months before his death […]

Florent Schmitt and the Organ

One of Florent Schmitt’s most famous and popular compositions is his monumental choral work Psaume XLVII, Opus 38.  Composed in 1904, it is one of the most striking choral works of the 20th Century — or of any era in classical music. Music lovers who are familiar with this work know how important the organ part […]

French Soprano Denise Duval: Muse to Francis Poulenc … Friend of Florent Schmitt

A living legend today — well into her nineties — the French soprano Denise Duval is a link to France’s glorious musical past. History remembers her as the famous muse to Francis Poulenc, but Duval was also an important interpreter of the music of other significant French composers of the early- and mid-twentieth century — among […]

Forgotten Records: Resurrecting noteworthy commercial and broadcast recordings of Florent Schmitt’s music from the LP era.

There’s no question that in the past two decades, the breadth and depth of French composer Florent Schmitt’s music that has made it to the microphones has increased dramatically. Nearly every year, we are treated to world premiere recordings of more Schmitt works. The most recent examples are the complete works for piano duo and duet as […]

Excitement on steroids: Nine live concert recordings of Florent Schmitt’s blockbuster choral composition Psalm 47 (1904)

For many classical music lovers, nothing can compare to a live performance.  While studio recordings promise greater precision and better sound quality — along with the absence of distracting audience noise – often this comes at the expense of spontaneity and immediacy. And for a piece of music as viscerally thrilling as Florent Schmitt’s Psalm […]

Psalm XLVII: Florent Schmitt’s Astounding Choral Masterpiece (1904)

“… An extravagant outburst of highly perfumed Franco-exoticism at its most virile, heroic and exalted … I can’t think of another piece that achieves — or even attempts — quite the impact made by this work.” — Walter Simmons, music critic, Fanfare Magazine “Regarding the Psaume, what can we say that hasn’t already been said […]