American soprano Korliss Uecker talks about preparing and singing the solo soprano part in Florent Schmitt’s choral masterpiece Psalm 47 (1904).

One of the most memorable highlights of my concert-going life was hearing Florent Schmitt’s stunning choral masterpiece Psaume XLVII, Op. 38 presented at Lincoln Center in New York City. Although I was well-familiar with the piece, having discovered it several decades earlier, this was the first opportunity I’d had to see it performed live in concert. Like […]

Reminiscing with American soprano Audrey Stottler about presenting Florent Schmitt’s Psalm 47 (1904) at the Washington National Cathedral

The dramatic soprano, famous across the world for her Turandot and other signature operatic roles, sang the rapturous solo part in Florent Schmitt’s stunning choral work Psaume XLVII in 2001. Ask anyone who has attended a performance of Florent Schmitt’s exhilarating 1904 choral masterpiece Psaume XLVII, Op. 38, and they’ll tell you how impactful the piece is when heard […]

American conductor JoAnn Falletta talks about the release of her new NAXOS recording of Florent Schmitt’s Antony & Cleopatra and The Haunted Palace with the Buffalo Philharmonic Orchestra.

“Florent Schmitt’s music should be mentioned in the same breath as Debussy and Ravel.” — JoAnn Falletta, American Orchestra Conductor In March of this year, the American conductor JoAnn Falletta recorded two important works by Florent Schmitt: the 1904 symphonic etude Le Palais hanté, Opus 49 and the two suites of incidental music for André […]

The Buffalo Philharmonic Orchestra Announces the North American Premiere Concert Performances of Florent Schmitt’s Complete Antoine et Cléopâtre Suites — 95 Years following their Composition

Le Palais hanté is also planned for performance and recording. North American classical music lovers are in for a treat this coming orchestra season.  The Buffalo Philharmonic Orchestra has announced that its 2014-15 concert schedule includes the first performances in North America of Florent Schmitt’s complete Antoine et Cléopâtre Suites, Op. 69. The performances of this […]

Excitement on Steroids: Six Live Concert Recordings of Florent Schmitt’s Blockbuster Choral Composition Psalm 47 (1904)

For many classical music lovers, nothing can compare to a live performance.  While studio recordings promise greater precision and better sound quality — along with avoiding distracting audience noise – often this comes at the expense of spontaneity and immediacy. And for a piece of music as viscerally thrilling as Florent Schmitt’s Psalm XLVII, Op. 38, composed […]

Fonctionnaire MCMXII: Florent Schmitt versus French Civil Servants (1923)

Around the world today, the news is full of stories about bloated government bureaucracies and the inefficiencies of various public agencies. From France and Italy to the United States, there are persistent calls for governments to become leaner and more effective, beginning with eliminating “waste, fraud and abuse” from various agencies. But this isn’t a […]

Florent Schmitt and the French Fascination with Edgar Allan Poe: Le Palais hanté (1904)

What is it in the French psyche that makes so many of its people attracted to the “dark side” in literature? Whether it’s the symbolists like Maurice Maeterlinck and Paul Verlaine, the noir novels of David Goodis or the dissolute stories and poetry of Edgar Allan Poe (as translated masterfully by Charles Baudelaire and Stéphane […]