In 2021, the NAXOS label’s Grand Piano imprint issued a CD featuring solo piano music of Florent Schmitt performed by Biljana Urban. This Paris-trained pianist. now living in Amsterdam, has a particular appreciation for the piano music of French composers from the late nineteenth and early twentieth centuries – Florent Schmitt included. (Click here to […]
Tag Archives: Alfred Cortot
Tout Paris came together 100 years ago to fete the Russian-born conductor upon his election as a Chevalier of the Legion d’honneur. The Russian-born conductor Serge Koussevitzky arrived in Paris in 1920, leaving behind Soviet Russia where he had led the Philharmonic Orchestra of Petrograd since 1917. Maestro Koussevitzky was already a household name in […]
Alain made important first recordings of French piano scores by Florent Schmitt, while Tristan is exploring the composer’s sumptuous early-career mélodies. Recently a multi-country recital tour was announced featuring tenor Cyrille Dubois and pianist Tristan Raës, in which mélodies by the composer Gabriel Fauré and several of his students would be performed. I was pleased […]
Over the past decade or more, Florent Schmitt’s music written for solo and duo-pianists has appeared on commercial recordings with ever-increasing frequency. Among them are several premiere recordings of the composer’s scores for two piano players as offered up by the Invencia Piano Duo (released in 2012-13 on a series of four CDs on NAXOS’ […]
French composer Florent Schmitt’s abilities as a pianist were considerable. Even so, he characterized the piano as “a convenient but disappointing substitute for the orchestra.” Taking a look at Schmitt’s piano scores, what’s immediately apparent are the technical demands that are required to do the music justice. It’s akin to what the French pianist Alfred Cortot famously […]
During his time as a student at the Paris Conservatoire, Florent Schmitt had his share of esteemed teachers including Jules Massenet, Théodore Dubois, André Gédalge and Albert Lavignac. But Gabriel Fauré, who along with Massenet were Schmitt’s two instructors in composition, was his favorite teacher — and also arguably the most influential one. Time and again, […]
To say that Vincent Larderet is one of the most accomplished of the younger generation of classical pianists would be an understatement. As a Steinway Artist, Mr. Larderet has attracted international recognition by virtue of the exceptional intensity of his performances and commercial recordings, praised by critics not only in his native France but also in Continental […]
One of the highly interesting compositions by Florent Schmitt is Mirages, Op. 70. This work exists in two versions: its original piano form composed in 1920/21, and a later orchestration prepared by the composer in 1923 and premiered in 1924 by Schmitt’s friend, the conductor Serge Koussevitzky. I find Mirages to be a compelling work, even if […]