American cellist Elisa Kohanski talks about Florent Schmitt’s Chant élégiaque (1899-1903) and its debt to Gabriel Fauré’s Élégie.

Over a composing career of seven decades, Florent Schmitt would pen music featuring nearly every instrument of the symphony orchestra in a solo capacity. The cello was no exception. In fact, Schmitt composed three concertante pieces featuring the cello — one each during his early, middle and late period of creativity.  The earliest of the […]

Voluptuous Colors: Florent Schmitt’s Suite for Trumpet (1955)

Over his long composing career, Florent Schmitt wrote numerous concertante pieces showcasing nearly every instrument of the orchestra. As with a good number of other French composers, some of these works were written as examination pieces for students at the Paris Conservatoire. A representative example is Schmitt’s Suite en trois parties for Trumpet & Piano, Op. […]