Murky polychromatic worlds: Florent Schmitt’s Trois poèmes de Robert Ganzo (1949)

“It’s as if someone said to you: ‘Throw yourself from a fourth-floor window — and mind you, fall gracefully.’” — Claire Croiza, French mezzo-soprano, on Florent Schmitt’s vocal music Music-lovers who are familiar with Florent Schmitt’s catalogue of works know that vocal compositions comprised an important part of his creative output over a seven-decade creative […]

A seductive austerity: Florent Schmitt’s Quinque cantus (1952)

Recently, an upload appeared on American composer George ‘Nick’ Gianopoulos‘ estimable YouTube music channel that features Florent Schmitt’s late-career choral work Quinque cantus, Op. 121, presented along with the score. It’s one of more than 2,300 score-with-audio uploads that Mr. Gianopoulos has assiduously prepared for the benefit of performing artists and music-lovers the world over […]

American cellist Elisa Kohanski talks about Florent Schmitt’s Chant élégiaque (1899-1903) and its debt to Gabriel Fauré’s Élégie.

Over a composing career of seven decades, Florent Schmitt would pen music featuring nearly every instrument of the symphony orchestra in a solo capacity. The cello was no exception. In fact, Schmitt composed three concertante pieces featuring the cello — one each during his early, middle and late period of creativity.  The earliest of the […]

Voluptuous Colors: Florent Schmitt’s Suite en trois parties for trumpet (1955)

Over his long composing career, Florent Schmitt wrote numerous concertante pieces showcasing nearly every instrument of the orchestra. As with a good number of other French composers, some of these works were written as examination pieces for students at the Paris Conservatoire. A representative example is Schmitt’s Suite en trois parties for Trumpet & Piano, Op. […]