Florent Schmitt’s Trois danses (1935/39) gets its moment in the sun at last.

After decades of obscurity, suddenly both the piano and orchestral versions of Schmitt’s suite receive new recordings – as well as renewed attention from performers. In the 1930s, Florent Schmitt was arguably at the peak of his creative powers. It was a decade that saw a prodigious amount of music come from the composer’s pen […]

Prélude … pour une suite à venir (1948) and Songe (1938-42): Two worthy piano miniatures that stand apart from the “official” catalogue of Florent Schmitt’s compositions.

The catalogue of Florent Schmitt’s compositions is extensive, consisting of some 138 opus-numbered items (actually, two numbers weren’t used by the composer — including Op. 111, omitted in deference to Beethoven’s 32nd Piano Sonata). But there’s more. Going beyond the “official” catalogue, we find a number of additional items. Chief among them are Schmitt’s first […]

American pianist Matthew Bengtson talks about discovering and performing Trois danses (1934-35), Florent Schmitt’s captivating exploration of the dancing spirit.

In September and October 2023, American pianist Matthew Bengtson performed three recitals in which he introduced a selection that was new to his repertoire: Florent Schmitt’s Trois danses, Op. 86. Composed in 1934-35, the piece is a relatively late work among the voluminous quantity of piano music that Schmitt created for piano solo, duet and […]

Exploring dance forms down through the ages: Florent Schmitt’s Trois danses (1935).

Florent Schmitt’s three instruments were the flute, the organ and the piano. Arguably the piano was the one he preferred most — at least based on the quantity of music he created — for within the catalogue of Schmitt’s compositions are vast swaths of music written for the piano solo, piano duet and duo. The […]