The music world owes a debt of gratitude to two rival organizations that were at the center of the Parisian arts scene during France’s “Golden Age” of music. Well into the latter part of the nineteenth century, the symphonic tradition continued to be regarded as the near-exclusive domain of the Austro-German school of music. There […]
Tag Archives: Pelleas et Melisande
In the last two decades of his long life and extensive musical career, the composer Florent Schmitt would devote much of his energies to creating instrumental music and pieces for voice and choir. Indeed, by and large Schmitt’s later-career output eschewed the full orchestra — with a number of notable exceptions, among them the Introït, récit et congé […]