Music critics at France-Musique evaluate current recordings of Florent Schmitt’s ballet La Tragédie de Salomé (1907/10).

Their designation of Paul Paray’s classic reading with the Detroit Symphony Orchestra as the best overall recording is echoed by France-Musique’s listener audience. As part of its popular broadcast series La Tribune des critiques de disques, in October 2017 the French national public radio channel France-Musique aired a two-hour program in which a roundtable panel of eminent […]

Spirit of the Dance: Florent Schmitt’s Suite sans esprit de suite (1937-38)

In the last two decades of his long life and extensive musical career, the composer Florent Schmitt would devote much of his energies to creating instrumental music and pieces for voice and choir. Indeed, by and large Schmitt’s later-career output eschewed the full orchestra — with a number of notable exceptions, among them the Introït, récit et congé […]