Conductor Fabien Gabel is interviewed by Crescendo Magazine about his new recording with Håkan Hardenberger, featuring French music for trumpet and orchestra including Florent Schmitt’s Suite en trois parties (1955).

In June 2022, the BIS label is releasing an important new recording that features French trumpet repertoire performed by the noted soloist Håkan Hardenberger along with the Royal Stockholm Philharmonic Orchestra conducted by Fabien Gabel.  The recording is the realization of Mr. Hardenberger’s goal to record the trumpet concertante works of Henri Tomasi, André Jolivet, […]

Håkan Hardenberger and Fabien Gabel talk about making their new orchestral recording featuring twentieth century French trumpet concertante works, including Florent Schmitt’s Suite en trois parties (1955).

In August 2021, the renowned trumpet virtuoso Håkan Hardenberger joined with conductor Fabien Gabel in Stockholm to make a recording of several gleaming jewels of twentieth century French trumpet concertante music. Together with the Royal Stockholm Philharmonic Orchestra, Hardenberger and Gabel have recorded a program that includes: Henri Tomasi: Trumpet Concerto (original version – 1948) […]

Fête de la lumière: Florent Schmitt’s extravagant showpiece at the Paris Exposition (1936-37).

In 1937, one of the final transnational gatherings held on the European continent before the onset of World War II occurred in the city of Paris. The International Exposition of Art and Technology in Modern Life — colloquially known as the Paris Exposition — took place between May and November of that year. Its lofty […]

Dancing Demons and Underwater Airplanes: Florent Schmitt’s Phantasmagorical Ronde burlesque (1927)

Within the catalogue of Florent Schmitt’s compositions are a goodly number of brilliant orchestral showpieces that exploit the colors of the orchestra to the fullest degree. One of the most interesting and effective of these also happens to be one of the shortest — the Ronde burlesque, Opus 78. This piece was composed in 1927 during a time […]

Florent Schmitt and the Prix de Rome: 1900-1904 (Musiques de plein air; Le Palais hanté; Psaume XLVII)

In the century-long period from 1850 to 1950, the Prix de Rome prize for composition was probably the single most important and prestigious recognition for any French composer. And for that reason, nearly every important French composer strove to win it. Offered to students at the Paris Conservatoire, winners of the award were rewarded with a handsome stipend, along with a multi-year stay […]

Spirit of the Dance: Florent Schmitt’s Suite sans esprit de suite (1937-38)

In the last two decades of his long life and extensive musical career, the composer Florent Schmitt would devote much of his energies to creating instrumental music and pieces for voice and choir. Indeed, by and large Schmitt’s later-career output eschewed the full orchestra — with a number of notable exceptions, among them the Introït, récit et congé […]

Forgotten Records: Resurrecting noteworthy commercial and broadcast recordings of Florent Schmitt’s music from the LP era.

There’s no question that in the past two decades, the breadth and depth of French composer Florent Schmitt’s music that has made it to the microphones has increased dramatically. Nearly every year, we are treated to world premiere recordings of more Schmitt works. The most recent examples are the complete works for piano duo and duet as […]

Voluptuous Colors: Florent Schmitt’s Suite for Trumpet (1955)

Over his long composing career, Florent Schmitt wrote numerous concertante pieces showcasing nearly every instrument of the orchestra. As with a good number of other French composers, some of these works were written as examination pieces for students at the Paris Conservatoire. A representative example is Schmitt’s Suite en trois parties for Trumpet & Piano, Op. […]