The Influence of Florent Schmitt’s Psaume XLVII (1904) on Other French Composers

When Florent Schmitt’s monumental score Psaume XLVII was premiered in December 1906, it burst upon the Parisian music scene in a big way. Nothing this grandiose had been heard outside the opera house since the days of Berlioz. The French poet and essayist Léon-Paul Fargue echoed the sentiments of many when he wrote of the Psalm: […]