Keyboard musician Emmanuel Pélaprat talks about Florent Schmitt’s Chant de guerre (1914) and preparing transcriptions for the Musiciens et la Grande Guerre series of recordings (Editions Hortus).

One of the most artistically significant and vital projects to come out of the commemoration of the 100th anniversary of World War I is a group of 35 recordings published by Editions Hortus in its Musiciens et la Grande Guerre series.  These recordings have been issued over a five-year span – each one based on […]

The Influence of Florent Schmitt’s Psaume XLVII (1904) on Other French Composers

When Florent Schmitt’s monumental score Psaume XLVII was premiered in December 1906, it burst upon the Parisian music scene in a big way. Nothing this grandiose had been heard outside the opera house since the days of Berlioz. The French poet and essayist Léon-Paul Fargue echoed the sentiments of many when he wrote of the Psalm: […]