American soprano Korliss Uecker talks about preparing and singing the solo soprano part in Florent Schmitt’s choral masterpiece Psalm 47 (1904).

One of the most memorable highlights of my concert-going life was hearing Florent Schmitt’s stunning choral masterpiece Psaume XLVII, Op. 38 presented at Lincoln Center in New York City. Although I was well-familiar with the piece, having discovered it several decades earlier, this was the first opportunity I’d had to see it performed live in concert. Like […]

The Influence of Florent Schmitt’s Psaume XLVII (1904) on Other French Composers

When Florent Schmitt’s monumental score Psaume XLVII was premiered in December 1906, it burst upon the Parisian music scene in a big way. Nothing this grandiose had been heard outside the opera house since the days of Berlioz. The French poet and essayist Léon-Paul Fargue echoed the sentiments of many when he wrote of the Psalm: […]