Musicologist Megan Varvir Coe talks about the Symbolist roots of Florent Schmitt’s ballet La Tragédie de Salomé (1907/10).

Along with his concert band masterpiece Dionysiaques, La Tragédie de Salomé, Op. 50 is French composer Florent Schmitt’s best-known score.  But most music-lovers know only the version that Schmitt prepared in 1910 for large orchestra.  Three years earlier, an original version twice as long had been created by Schmitt for the American dancer Loïe Fuller, who presented it at […]

Conductor Jean-Luc Tingaud talks about Florent Schmitt’s choral masterpiece Psalm 47 (1904) and introducing the music to concert audiences in Poland.

“It’s the sensuality — as well as the expressive power borne from Florent Schmitt’s exceptional mastery of massed musical forces and contrasts …”  — Jean-Luc Tingaud, French Orchestral and Operatic Conductor This month, French conductor Jean-Luc Tingaud will be leading the first-ever concert performances of Florent Schmitt’s blockbuster choral work Psaume XLVII in Poland, conducting the […]