Musicologist Megan Varvir Coe talks about the Symbolist roots of Florent Schmitt’s ballet La Tragédie de Salomé (1907/10).

Along with his concert band masterpiece Dionysiaques, La Tragédie de Salomé, Op. 50 is French composer Florent Schmitt’s best-known score.  But most music-lovers know only the version that Schmitt prepared in 1910 for large orchestra.  Three years earlier, an original version twice as long had been created by Schmitt for the American dancer Loïe Fuller, who presented it at […]

Youthful Exuberance: Lionel Bringuier’s Thrilling Performance of Florent Schmitt’s La Tragédie de Salomé (Stockholm, 2009)

I always suspected that French conductor Lionel Bringuier’s interpretation of Florent Schmitt’s ballet La Tragédie de Salomé, Op. 50 would be something special. After all, this young conductor has been traveling the globe in the past half-decade, performing the work in numerous locations including England, Scandinavia, Germany and the United States (with the Los Angeles Philharmonic). […]