Musicologist Megan Varvir Coe talks about the Symbolist roots of Florent Schmitt’s ballet La Tragédie de Salomé (1907/10).

Along with his concert band masterpiece Dionysiaques, La Tragédie de Salomé, Op. 50 is French composer Florent Schmitt’s best-known score.  But most music-lovers know only the version that Schmitt prepared in 1910 for large orchestra.  Three years earlier, an original version twice as long had been created by Schmitt for the American dancer Loïe Fuller, who presented it at […]

Julien Columeau, noted French novelist in the Urdu language, talks about the music of Florent Schmitt and how it inspires his writing.

“I’ve learned a good deal in terms of structure by listening to classical music — and particularly to music created by a person like Florent Schmitt.  In fact, I think that a well-structured text, including a share of the predictable and unpredictable, should be modeled on a piece of Schmitt’s music!” — Julien Columeau, novelist […]