Musicologist Megan Varvir Coe talks about the Symbolist roots of Florent Schmitt’s ballet La Tragédie de Salomé (1907/10).

Along with his concert band masterpiece Dionysiaques, La Tragédie de Salomé, Op. 50 is French composer Florent Schmitt’s best-known score.  But most music-lovers know only the version that Schmitt prepared in 1910 for large orchestra.  Three years earlier, an original version twice as long had been created by Schmitt for the American dancer Loïe Fuller, who presented it at […]

Passionate advocate: French conductor Lionel Bringuier talks about the music of Florent Schmitt and La Tragédie de Salomé.

French conductor Lionel Bringuier’s meteoric rise in the classical music field has been noteworthy.  Not yet 30 years old, he has been conducting major orchestras in the United States and Europe since 2006. Currently, Maestro Bringuier is chief conductor of the Tonhalle Orchestra in Zürich, Switzerland.  Prior to that, he was an associate conductor of […]

La Tragédie de Salomé: Florent Schmitt’s Sinuous Temptress, Seducing Audiences for 100 Years

“[It] is like a half-hour visit to the pleasure dome in Xanadu, and if it doesn’t give you a few spiritual orgasms, then perhaps you need to insert Viagra in each of your ears.” — Raymond Tuttle, Music Critic, Fanfare Magazine The ballet La Tragédie de Salomé, Op. 50 is Florent Schmitt’s most famous and […]