The 2020-21 season includes performances of the small-orchestra version in Japan, Germany and France. As is so well-known to music-lovers everywhere, the COVID-19 pandemic has wreaked havoc on concert-going the world over. For too many orchestras and chamber ensembles, the entire 2020-21 season has been a total bust — or at the very least, upended […]
Tag Archives: Loie Fuller
Over the past 20 years, the vast majority of Florent Schmitt’s music for piano solo has been rediscovered by a new generation of music-lovers and performers. Moreover, nearly all of this music has been commercially recorded at least one time. However, one piano composition, Pupazzi, Opus 36 (Puppets), hasn’t been part of the revival, and […]
Along with his concert band masterpiece Dionysiaques, La Tragédie de Salomé, Op. 50 is French composer Florent Schmitt’s best-known score. But most music-lovers know only the version that Schmitt prepared in 1910 for large orchestra. Three years earlier, an original version twice as long had been created by Schmitt for the American dancer Loïe Fuller, who presented it at […]
French conductor Lionel Bringuier’s meteoric rise in the classical music field has been noteworthy. Not yet 30 years old, he has been conducting major orchestras in the United States and Europe since 2006. Currently, Maestro Bringuier is chief conductor of the Tonhalle Orchestra in Zürich, Switzerland. Prior to that, he was an associate conductor of […]
“[It] is like a half-hour visit to the pleasure dome in Xanadu, and if it doesn’t give you a few spiritual orgasms, then perhaps you need to insert Viagra® in each of your ears.” — Raymond Tuttle, Music Critic, Fanfare Magazine The ballet La Tragédie de Salomé, Op. 50 is Florent Schmitt’s most famous and […]