A Surprising Collaboration and Friendship: Florent Schmitt and Frederick Delius (1894-1934)

One interesting yet virtually unknown early chapter in Florent Schmitt’s musical life involved the work he did in creating the piano/vocal reduction scores of the first four operas of the English composer Frederick Delius (1862-1934). These efforts began around 1894 when Schmitt was not yet 25 years old, with the transcription of Delius’ opera Irmelin.  The […]

Brilliance and Sophistication: Florent Schmitt’s Trois Rapsodies for Two Pianos (1903-04)

One of the most musically satisfying of Florent Schmitt’s extensive trove of compositions for piano duet and duo – and the one that is my personal favorite among all of them – is Trois Rapsodies, Op. 53, a work he composed in 1903-04 during his time at the Villa Medici in Rome. Made up of three […]

French Cellist Henri Demarquette talks about the Music of Florent Schmitt and the Introït, récit et congé (1948).

The recent release of the premiere recording of Florent Schmitt’s Introït, récit et congé, Op. 113, has given lovers of French music and cello music in general the opportunity to hear an interesting and inventive concertante piece that was composed in 1948 for the French cellist André Navarra. Fortunately, this premiere recording (on the Timpani label) […]