The international Bachtrack website is in the process of uploading its global database of classical music programs for the coming season. Although it doesn’t provide a comprehensive listing of every professional group’s events, the site covers nearly all of the major orchestras, opera and ballet companies around the world, making it the “go-to” resource for […]
Tag Archives: Lionel Bringuier
The international Bachtrack website is in the process of uploading its global database of classical music programs for the upcoming season. Although it isn’t an exhaustive listing of every professional artistic group, the site covers nearly all of the major orchestras, opera and ballet companies and other important ensembles around the world, making it the “go-to” […]
French conductor Lionel Bringuier’s meteoric rise in the classical music field has been noteworthy. Not yet 30 years old, he has been conducting major orchestras in the United States and Europe since 2006. Currently, Maestro Bringuier is chief conductor of the Tonhalle Orchestra in Zürich, Switzerland. Prior to that, he was an associate conductor of […]
On April 16 and 18, 2015, The Cleveland Orchestra performed Florent Schmitt’s 1907/10 ballet La Tragédie de Salomé for the first time in over 70 years. Not only was it the first time the Cleveland musicians had played this work with the orchestra, for most, it was their first time ever performing any music of […]
The Bachtrack website has just completed uploading its global database of programs for the upcoming concert season. Although it isn’t an exhaustive listing of every orchestral group, the site covers nearly all of the major orchestras and other ensembles around the world, making it a good “one-stop” resource for information about what’s happening on the […]
One of the most satisfying of Florent Schmitt’s extensive trove of music for piano duet and duo – and the one that is my personal favorite of all of them – is Trois Rapsodies, Op. 53, a work he composed in 1903-4. Made up of three movements titled Française, Polonaise and Viennoise, it is a work that fully engages […]
I always suspected that French conductor Lionel Bringuier’s interpretation of Florent Schmitt’s ballet La Tragédie de Salomé, Op. 50 would be something special. After all, this young conductor has been traveling the globe in the past half-decade, performing the work in numerous locations including England, Scandinavia, Germany and the United States (with the Los Angeles Philharmonic). […]
“[It] is like a half-hour visit to the pleasure dome in Xanadu, and if it doesn’t give you a few spiritual orgasms, then perhaps you need to insert Viagra® in each of your ears.” — Raymond Tuttle, Music Critic, Fanfare Magazine The ballet La Tragédie de Salomé, Op. 50 is Florent Schmitt’s most famous […]