Florent Schmitt’s strikingly inventive Quartet for Trombones and Tuba (1946): Leaving the ‘oompah’ behind.

It’s quite likely that many music-lovers who know of French composer Florent Schmitt are most familiar with his “big” pieces scored for large orchestral forces, overlaid with sparkling orchestration in the grandest post-Rimsky tradition.  And it’s true that many of Schmitt’s best-known works are just those kinds of compositions — pieces like La Tragédie de Salomé, […]

Nine important compositions of Florent Schmitt to be featured in the upcoming 2019/20 concert season by orchestras in Antwerp, Augusta, Boston, Buffalo, Hiroshima, Maastricht, Montréal, Mulhouse, Paris, Perth, Québec City, Rochefort and Shanghai.

The international Bachtrack website is in the process of uploading its global database of classical music programs for the coming season. Although it doesn’t provide a comprehensive listing of every professional group’s events, the site covers nearly all of the major orchestras, opera and ballet companies around the world, making it the “go-to” resource for […]

Conductor JoAnn Falletta and mezzo-soprano Susan Platts talk about preparing Florent Schmitt’s music for performance and recording (Musique sur l’eau – 1898/1913 and La Tragédie de Salomé – 1907/10).

In 2020, the NAXOS label plans to release its second disk of music by the French composer Florent Schmitt that features the Buffalo Philharmonic Orchestra and its music director, JoAnn Falletta. The first recording, which was released in 2015, included several orchestral pieces by Schmitt:  the two Antoine et Cléopâtre suites (after William Shakespeare) and […]

Four important compositions of Florent Schmitt to be featured in the upcoming 2018/19 concert season by orchestras in Bern, Buffalo, Malmö, Mexico City, Norfolk, Paris, Québec City, Warsaw and Washington.

The international Bachtrack website is in the process of uploading its global database of classical music programs for the upcoming season. Although it isn’t an exhaustive listing of every professional group, the site covers nearly all of the major orchestras, opera and ballet companies around the world, making it the “go-to” resource for information about what’s happening […]

Experiencing Florent Schmitt’s Antony & Cleopatra (1920) in a dramatic adaptation: An eyewitness report from London.

In 2010, the American conductor JoAnn Falletta resurrected a Florent Schmitt rarity: The Suite No. 1 from the incidental music the composer had written for Andre Gide’s adaptation of William Shakespeare’s play Antony & Cleopatra.  It was an Ida Rubinstein production done in her characteristically outré style: an entire-evening extravaganza mounted at the Paris Opéra. […]

Conductor JoAnn Falletta’s Podcast Interview for NAXOS, on the Musical Legacy of French Composer Florent Schmitt

… His music, quintessentially French, moves beyond impressionism into a lush and tangled world of dark poetry and sumptuous storytelling. Rhapsodic, brooding and startlingly beautiful, Schmitt’s language is deeply personal – passionate yet extraordinarily detailed, sophisticated and elusive. —  JoAnn Falletta, American Orchestra Conductor The NAXOS release of two of Florent Schmitt’s most expressive “tonal […]

Members of the Buffalo Philharmonic Orchestra Talk about Preparing Florent Schmitt’s Music for Performance and Recording

In February and March 2015, the Buffalo Philharmonic Orchestra and its music director, JoAnn Falletta, performed and recorded two of Florent Schmitt’s orchestral works:  the 1900-04 symphonic etude Le Palais hanté, Opus 49 (The Haunted Palace), inspired by a poem of Edgar Allan Poe; and the two Antoine et Cléopâtre Suites, Opus 69, composed in 1920 […]