French conductor Fabien Gabel talks about Florent Schmitt’s Le Palais hanté (1904) and leading The Cleveland Orchestra in its first performance of this Poe-inspired tone picture.

  On August 19, 2017, French conductor Fabien Gabel led The Cleveland Orchestra in a concert of mainly French music at the Blossom Music Center, the orchestra’s summer home. Not only is Maestro Gabel a tireless advocate for the music of his native country wherever he conducts around the world, the artistry of Florent Schmitt is […]

Julien Columeau, noted French novelist in the Urdu language, talks about the music of Florent Schmitt and how it inspires his writing.

“I’ve learned a good deal in terms of structure by listening to classical music — and particularly to music created by a person like Florent Schmitt.  In fact, I think that a well-structured text, including a share of the predictable and unpredictable, should be modeled on a piece of Schmitt’s music!” — Julien Columeau, novelist […]

Conductor JoAnn Falletta’s Podcast Interview for NAXOS, on the Musical Legacy of French Composer Florent Schmitt

… His music, quintessentially French, moves beyond impressionism into a lush and tangled world of dark poetry and sumptuous storytelling. Rhapsodic, brooding and startlingly beautiful, Schmitt’s language is deeply personal – passionate yet extraordinarily detailed, sophisticated and elusive. —  JoAnn Falletta, American Orchestra Conductor The NAXOS release of two of Florent Schmitt’s most expressive “tonal […]

American conductor JoAnn Falletta talks about the release of her new NAXOS recording of Florent Schmitt’s Antony & Cleopatra and The Haunted Palace with the Buffalo Philharmonic Orchestra.

“Florent Schmitt’s music should be mentioned in the same breath as Debussy and Ravel.” — JoAnn Falletta, American Orchestra Conductor In March of this year, the American conductor JoAnn Falletta recorded two important works by Florent Schmitt: the 1904 symphonic etude Le Palais hanté, Opus 49 and the two suites of incidental music for André […]

American orchestra conductor JoAnn Falletta talks about performing and recording the music of Florent Schmitt (Antoine et Cléopâtre and Le Palais hanté).

Recorded in March 2015 by the Buffalo Philharmonic Orchestra, the pieces are slated for release on the NAXOS label later this year. Under its music director JoAnn Falletta, the Buffalo Philharmonic Orchestra has established something of a reputation for programming neglected scores from the late 19th and early 20th centuries, including performances in recent years of works […]

Florent Schmitt and the French Fascination with Edgar Allan Poe: Le Palais hanté (1904)

What is it in the French psyche that makes so many of its people attracted to the “dark side” in literature? Whether it’s the symbolists like Maurice Maeterlinck and Paul Verlaine, the noir novels of David Goodis or the dissolute stories and poetry of Edgar Allan Poe (as translated masterfully by Charles Baudelaire and Stéphane […]