Florent Schmitt and the Prix de Rome: 1900-1904 (Musiques de plein air; Le Palais hanté; Psaume XLVII)

In the century-long period from 1850 to 1950, the Prix de Rome prize for composition was probably the single most important and prestigious recognition for any French composer. And for that reason, nearly every important French composer strove to win it. Offered to students at the Paris Conservatoire, winners of the award were rewarded with a handsome stipend, along with a multi-year stay […]

Voluptuous Colors: Florent Schmitt’s Suite en trois parties for trumpet (1955)

Over his long composing career, Florent Schmitt wrote numerous concertante pieces showcasing nearly every instrument of the orchestra. As with a good number of other French composers, some of these works were written as examination pieces for students at the Paris Conservatoire. A representative example is Schmitt’s Suite en trois parties for Trumpet & Piano, Op. […]

Lied et Scherzo (1910), Florent Schmitt’s Incredible Piece Featuring the French Horn

One of the most interesting works by Florent Schmitt is his Lied et Scherzo, Op. 54, which he composed in 1910. The genesis of the music was a request from Gabriel Fauré for Schmitt to write a horn competition piece for the Paris Conservatoire. The original manifestation of the Lied et scherzo was as a […]

Florent Schmitt’s Valedictory Composition: Symphony No. 2 (1957)

Here we have it, ladies and gentlemen: France’s missing symphony from the 1950s … It is almost impossibly beautiful, with some of the most kaleidoscopic sound-staging and effective bass sonorities you will encounter. Florent Schmitt’s Second Symphony was never precisely lost, to be sure. It’s actually the Francophone fifties which seemed to disappear and turn […]