Organist and music researcher Guillaume Le Dréau talks about French composer Florent Schmitt’s consequential work as a Parisian music critic (1912-1939).

Guillaume Le Dréau is one of the most multi-faceted musicians I know. A keyboard artist, he is currently the organist at Rennes Cathedral in France — but this position represents only one aspect of his many musical activities.  Not only does he play the organ and piano, he is a composer, an arranger, a teacher and a researcher. […]

A link with history: French composer, teacher and writer Alain Margoni, 81, talks about working with Florent Schmitt in Paris during the 1950s.

Here in the year 2016, it is well over a half-century since French composer Florent Schmitt passed away at the age of nearly 90 years. Consequently, the number of musicians who have first-hand memories of interacting with the master has dwindled to a precious few. But we are fortunate to have French composer and teacher […]

Florent Schmitt and the Prix de Rome: 1900-1904 (Musiques de plein air; Le Palais hanté; Psaume XLVII)

In the century-long period from 1850 to 1950, the Prix de Rome prize for composition was probably the single most important and prestigious recognition for any French composer. And for that reason, nearly every important French composer strove to win it. Offered to students at the Paris Conservatoire, winners of the award were rewarded with a handsome stipend, along with a multi-year stay […]

Passionate advocate: French conductor Lionel Bringuier talks about the music of Florent Schmitt and La Tragédie de Salomé.

French conductor Lionel Bringuier’s meteoric rise in the classical music field has been noteworthy.  Not yet 30 years old, he has been conducting major orchestras in the United States and Europe since 2006. Currently, Maestro Bringuier is chief conductor of the Tonhalle Orchestra in Zürich, Switzerland.  Prior to that, he was an associate conductor of […]