On Valentine’s Day 2023, Japanese pianist Tomoki Sakata presented Florent Schmitt’s stunning Symphonie concertante, Op. 82 in concert with the Tokyo Metropolitan Symphony Orchestra under the direction of Yan-Pascal Tortelier. The Symphonie concertante was the centerpiece of an all-French program presented at Tokyo’s Suntory Hall that also included music by Gabriel Fauré (the Prélude from […]
Author Archives: Phillip Nones
Several months ago Sébastien Damarey, a faithful reader of the Florent Schmitt Website + Blog, sent me a very interesting historical artifact — an interview with Florent Schmitt that was published in the January 25, 1929 issue of the French arts magazine Le Guide du concert et des théâtres lyriques. What makes this article particularly […]
These charmers, written for violin or cello soloist, make for perfect recital pieces. Music-lovers who are familiar with Florent Schmitt’s catalogue know that he composed a number of works featuring the violin and cello as solo instruments. Most of the composer’s violin pieces have been gathered together in a fine collection of works including the […]
A slender, petite man — and the giant legacy he left us — draw parallels with Maurice Ravel. Over the decades, a total of four biographies of the French composer Florent Schmitt have been published – all of them written in French. Three of these biographies were written during the composer’s lifetime, and with his […]
For nearly every French composer coming of age during the period 1850-1950, competing for and winning the Prix de Rome first prize for composition was the indisputable gold standard. While the musical careers of some Prix de Rome recipients didn’t flourish as much as might be expected, no doubt the prestige of winning the honor […]
On November 12 and 13, 2022, JoAnn Falletta and the Buffalo Philharmonic Orchestra presented one of the most significant entries in the catalogue of Florent Schmitt’s orchestral works — the first part of In Memoriam, Op. 72 (Cippus Feralis). Composed in 1935, it is an extraordinarily beautiful composition, replete with “passion and pathos.” Even though […]
On October 22, 2022, violinist John McLaughlin Williams and pianist Matthew Bengtson presented an intriguing program of music at a Steinway Society of Michigan event in Detroit. Featured were two rarities — the Frühlings-Sonate by Joseph Marx and the Tallahassee Suite by Cyril Scott — along with Florent Schmitt’s formidable Sonate libre en deux parties […]
The music world owes a debt of gratitude to two rival organizations that were at the center of the Parisian arts scene during France’s “Golden Age” of music. Well into the latter part of the nineteenth century, the symphonic tradition continued to be regarded as the near-exclusive domain of the Austro-German school of music. There […]
As Florent Schmitt’s star has continued to rise in recent decades, one happy result has been the growing number of recordings helping to fill gaps in the composer’s discography. The trajectory has been real: At the turn of this century, only about half of Florent Schmitt’s compositions had been commercially recorded, but that number is […]
“It’s as if someone said to you: ‘Throw yourself from a fourth-floor window — and mind you, fall gracefully.’” — Claire Croiza, French mezzo-soprano, on Florent Schmitt’s vocal music Music-lovers who are familiar with Florent Schmitt’s catalogue of works know that vocal compositions comprised an important part of his creative output over a seven-decade creative […]
Recently, an upload appeared on American composer George ‘Nick’ Gianopoulos‘ estimable YouTube music channel that features Florent Schmitt’s late-career choral work Quinque cantus, Op. 121, presented along with the score. It’s one of more than 2,300 score-with-audio uploads that Mr. Gianopoulos has assiduously prepared for the benefit of performing artists and music-lovers the world over […]
In June 2022, the BIS label is releasing an important new recording that features French trumpet repertoire performed by the noted soloist Håkan Hardenberger along with the Royal Stockholm Philharmonic Orchestra conducted by Fabien Gabel. The recording is the realization of Mr. Hardenberger’s goal to record the trumpet concertante works of Henri Tomasi, André Jolivet, […]
In addition to multiple presentations of Schmitt’s best-known composition La Tragédie de Salomé, music-lovers will be treated to two mid-career works — In Memoriam and the Symphonie concertante. It comes as no surprise that in the upcoming 2022-23 concert season, various conductors and orchestras will be presenting Florent Schmitt’s ballet La Tragédie de Salomé. Not […]
On the evening of May 12, 2022, an unforgettable performance of Florent Schmitt’s monumental Psaume XLVII, Op. 38 was presented at Maison de la Radio in Paris. For those of us who were lucky enough to attend the concert, it was a performance that will long stay in our memories — so fine was the […]
On May 12, 2022, the French conductor Fabien Gabel stepped up to the podium in the auditorium of Maison de la Radio in Paris to lead the Orchestre National de France in two works by Florent Schmitt: the symphonic picture Rêves, Op. 65 (dating from 1915) and the large-scale choral work Psaume XLVII, Op. 38 (composed […]