Tout Paris came together 100 years ago to fete the Russian-born conductor upon his election as a Chevalier of the Legion d’honneur. The Russian-born conductor Serge Koussevitzky arrived in Paris in 1920, leaving behind Soviet Russia where he had led the Philharmonic Orchestra of Petrograd since 1917. Maestro Koussevitzky was already a household name in […]
Author Archives: Phillip Nones
Alain made important first recordings of French piano scores by Florent Schmitt, while Tristan is exploring the composer’s sumptuous early-career mélodies. Recently a multi-country recital tour was announced featuring tenor Cyrille Dubois and pianist Tristan Raës, in which mélodies by the composer Gabriel Fauré and several of his students would be performed. I was pleased […]
His soon-to-be-released album includes two premiere recordings plus an unpublished 1950 piano sonata that later became the wind composition Chants alizés. A new recording of piano works by Florent Schmitt is scheduled for release in late 2024 – one that’s particularly important in that its focus will be on late-career compositions that have never been […]
Much has been written about the famous salonnières of Paris — the wealthy and often-flamboyant grandes dames who opened up their drawing rooms to musicians, authors and artists — facilitating not only the camaraderie of “breaking bread” together but also providing a venue for these creatives to socialize with prominent members of Parisian society representing […]
Boulanger’s remarks were made as part of her Lectures on Modern Music presented at Rice University in Houston, Texas (January 1925). In the world of music composition, Nadia Boulanger is universally acknowledged as one of the most significant and influential teachers of the craft. In that capacity, Boulanger guided the education of several generations of […]
In September and October 2023, American pianist Matthew Bengtson performed three recitals in which he introduced a selection that was new to his repertoire: Florent Schmitt’s Trois danses, Op. 86. Composed in 1934-35, the piece is a relatively late work among the voluminous quantity of piano music that Schmitt created for piano solo, duet and […]
Among the final crop of compositions that Florent Schmitt brought forth during his long career are a group of sacred works written for chorus or mixed solo voices. They are seven in number, penned or published during the final eight years of the composer’s life: Trois liturgies joyeuses, Op. 116 (1951) Psaume VIII (Domine, Dominus […]
The artist’s daughter, stage, screen and TV actress Élisabeth Margoni-Beneyton, rediscovered the portrait and presented it to pianist Claudio Chaiquin in recognition of his commitment to recording the music of Florent Schmitt. One of the most fulfilling aspects of creating content for the Florent Schmitt Website + Blog is coming across historical artifacts that add […]
Throughout nearly all of Florent Schmitt’s long career as a composer, he was at the heart of artistic life in Paris. Not only was he well-acquainted with all the notable French composers, writers and painters of the day, he was quick to make friends with numerous composers from foreign lands who made the artistic pilgrimage […]
The French author and playwright Jean de la Fontaine is best-known for his fables, which are considered masterpieces of French literature. The fables of the ancient Greek author Aesop may be better known across the world, but La Fontaine deserves an equivalent place in the spotlight considering that he produced no fewer than 240 of […]
In the latter part of his career as a composer, Florent Schmitt devoted a good portion of his energies to writing vocal music, both for solo voices and for chorus. These projects give him the opportunity to indulge his passion for writing for the human voice — a persistent trait we can see throughout his […]
In addition to multiple presentations of Schmitt’s best-known composition La Tragédie de Salomé, music-lovers will be treated to three works from the composer’s early and late career. Four compositions spanning Florent Schmitt’s seven-decade career as a composer are part of the 2023-24 symphony season. (Portrait: Pierrette Lambert, 1992) For the upcoming 2023-24 concert season, the […]
This past Valentine’s Day (February 14, 2023), the young Japanese pianist Tomoki Sakata presented Florent Schmitt’s complex, über-brilliant Symphonie concertante, Op. 82 with the Tokyo Metropolitan Symphony Orchestra under the direction of veteran French conductor Yan Pascal Tortelier. The concert marked the first time this music had been performed anywhere in the world since the […]
Over the past decade or more, Florent Schmitt’s music written for solo and duo-pianists has appeared on commercial recordings with ever-increasing frequency. Among them are several premiere recordings of the composer’s scores for two piano players as offered up by the Invencia Piano Duo (released in 2012-13 on a series of four CDs on NAXOS’ […]
When Florent Schmitt died in August 1958 at the age of nearly 88 years, his fellow composer Henri Dutilleux penned this memorable epitaph: “Florent Schmitt was the last of that great family to which Ravel, Dukas, and Roussel belonged. He remains one of them who, by a happy assimilation of German and Central European influences, […]