Spirit of the Dance: Florent Schmitt’s Suite sans esprit de suite (1937-38)

In the last two decades of his long life and extensive musical career, the composer Florent Schmitt would devote much of his energies to creating instrumental music and pieces for voice and choir. Indeed, by and large Schmitt’s later-career output eschewed the full orchestra — with a number of notable exceptions, among them the Introït, récit et congé […]

Janiana: Florent Schmitt’s Rich, Robust Symphony for String Orchestra (1941)

We know that Florent Schmitt’s penultimate work was the Symphony No. 2, composed in 1957 and premiered in 1958 by Charles Munch and the French National Radio Orchestra a few months before the composer’s death at age 87. The question is, which composition stands as Schmitt’s first essay in the genre?  Because in fact, the […]

Oriane et le Prince d’Amour: Florent Schmitt’s Final ‘Orientalist’ Composition (1933)

One of the most memorable aspects of French composer Florent Schmitt’s musical output is his artistic work in the “orientalist” realm.  In fact, in this aspect it could be claimed with some justification that Schmitt had no peer, notwithstanding the efforts of other fine composers in France (Saint-Saens, Bizet, Lalo, d’Indy, Roussel, Rabaud, Ravel, Delage, Aubert, etc.) and elsewhere […]