Spirit of the Dance: Florent Schmitt’s Suite sans esprit de suite (1937-38)

In the last two decades of his long life and extensive musical career, the composer Florent Schmitt would devote much of his energies to creating instrumental music and pieces for voice and choir. Indeed, by and large Schmitt’s later-career output eschewed the full orchestra — with a number of notable exceptions, among them the Introït, récit et congé […]

Delightful Discourses: Florent Schmitt’s A Tour d’anches for Oboe, Clarinet, Bassoon and Piano (1939-43)

In his later career, the French composer Florent Schmitt would devote more of his energies to composing works for chamber wind ensemble.  Among those works are his quartets for saxophones, flutes, trombones and tuba, and a sextet for clarinets. But Schmitt also composed two highly engaging chamber pieces for diverse winds: A Tour d’anches, Opus 97 […]

Florent Schmitt and the Organ (Préludes, Marche nuptiale and more)

One of Florent Schmitt’s most famous and popular compositions is his monumental choral work Psaume XLVII, Opus 38.  Composed in 1904, it is one of the most striking choral works of the 20th Century — or of any era in classical music. Music lovers who are familiar with this work know how important the organ part […]

Janiana: Florent Schmitt’s Rich, Robust Symphony for String Orchestra (1941)

We know that Florent Schmitt’s penultimate work was the Symphony No. 2, composed in 1957 and premiered in 1958 by Charles Munch and the French National Radio Orchestra a few months before the composer’s death at age 87. The question is, which composition stands as Schmitt’s first essay in the genre?  Because in fact, the […]