Five orchestral works by Florent Schmitt to be featured in 2026-27 concert season programs presented in Bochum, Bordeaux, Buffalo, Liège, Minneapolis, Pau, St. Petersburg-Clearwater and San José.

For afficionados of Florent Schmitt’s music, the upcoming 2026-27 season of orchestral concerts will include Schmitt compositions that are both familiar and rare.  In addition to one of Schmitt’s acknowledged “biggest hits” La Tragédie de Salomé, the featured repertoire includes several works that don’t show up on concert programs very often — Antoine et Cléopâtre and […]

Feuillets de voyage: French composer Florent Schmitt’s musical travel diary (1903-5).

Often, composers “favor” instruments that they themselves know how to play.  Florent Schmitt’s own instruments were the piano, organ and flute, so it shouldn’t be too surprising that a significant number of this composer’s creations would feature these instruments. In particular, Schmitt was a highly proficient pianist, which helps explain the expressiveness and effectiveness of his piano compositions […]

Antony & Cleopatra: Florent Schmitt Takes Palace Intrigue, Scandal and Death to New Heights (1920)

“To appreciate this music fully, ready the hot tub, invite a few friends over, burn incense and uncork the wine you were saving for a special occasion.” — International Record Review One of the most intriguing pieces of music composed by Florent Schmitt during his “orientalist” period was the incidental music to André Gide’s new adaptation […]

La Tragédie de Salomé (1907/10): Florent Schmitt’s sinuous temptress, seducing audiences for over 100 years.

“[It] is like a half-hour visit to the pleasure dome in Xanadu, and if it doesn’t give you a few spiritual orgasms, then perhaps you need to insert Viagra® in each of your ears.”   — Raymond Tuttle, music critic, Fanfare Magazine “Florent Schmitt has much to say; his Tragédie de Salomé is a great […]