Experiencing Florent Schmitt’s Antony & Cleopatra (1920) and other orientalist masterpieces from France’s “Golden Age” of classical music live in concert: An eyewitness report from Paris.

American cellist Aaron Merritt and French arts administrator Eric Butruille traveled to the Philharmonie in Paris for the June 2018 event and were interviewed immediately thereafter. On June 9th and 10th, 2018, the Orchestre de Paris presented a program that must rank as one of the most interesting concerts of this year’s artistic season in the […]

La Tragédie de Salomé: Florent Schmitt’s Sinuous Temptress, Seducing Audiences for 100 Years

“[It] is like a half-hour visit to the pleasure dome in Xanadu, and if it doesn’t give you a few spiritual orgasms, then perhaps you need to insert Viagra in each of your ears.” — Raymond Tuttle, Music Critic, Fanfare Magazine The ballet La Tragédie de Salomé, Op. 50 is Florent Schmitt’s most famous and […]