American conductor JoAnn Falletta talks about the release of her new NAXOS recording of Florent Schmitt’s Antony & Cleopatra and The Haunted Palace with the Buffalo Philharmonic Orchestra.

“Florent Schmitt’s music should be mentioned in the same breath as Debussy and Ravel.” — JoAnn Falletta, American Orchestra Conductor In March of this year, the American conductor JoAnn Falletta recorded two important works by Florent Schmitt: the 1904 symphonic etude Le Palais hanté, Opus 49 and the two suites of incidental music for André […]

American orchestra conductor JoAnn Falletta talks about performing and recording the music of Florent Schmitt (Antoine et Cléopâtre and Le Palais hanté).

Recorded in March 2015 by the Buffalo Philharmonic Orchestra, the pieces are slated for release on the NAXOS label later this year. Under its music director JoAnn Falletta, the Buffalo Philharmonic Orchestra has established something of a reputation for programming neglected scores from the late 19th and early 20th centuries, including performances in recent years of works […]

Conductors JoAnn Falletta and Jorge Mester Talk About the Music of Florent Schmitt

Last month, I caught up with music directors JoAnn Falletta and Jorge Mester while observing the fine students at the Conductor Training Workshop in Virginia Beach, VA. Maestra Falletta and Maestro Mester are among the eminent conducting faculty who mentor members of the Conductors Guild in workshops held in various cities in North America and overseas. Both conductors are great proponents […]

Antony & Cleopatra: Florent Schmitt Takes Palace Intrigue, Scandal and Death to New Heights (1920)

“To appreciate this music fully, ready the hot tub, invite a few friends over, burn incense and uncork the wine you were saving for a special occasion.” — International Record Review One of the most intriguing pieces of music composed by Florent Schmitt during his “orientalist” period was the incidental music to André Gide’s new adaptation […]