French conductor and wind ensemble specialist Philippe Ferro talks about the music of Florent Schmitt and Hymne funèbre (1899/1933).

In 2008, 50 years following the death of Florent Schmitt, a recording featuring all of the repertoire written by the French composer for wind ensemble was released on the Corelia label. The recording featured the Orchestre d’Harmonie de la Région-Centre joined by the Ensemble Vocal Universitaire de Tours — all under the direction of Philippe Ferro. […]

French conductor Jean-Luc Tingaud, soprano Ewa Biegas and choral director Teresa Majka-Pacanek talk about the 2016 Polish premiere performances of Florent Schmitt’s choral masterpiece Psalm 47 (1904).

Florent Schmitt’s powerful choral work Psalm XLVII may have been composed in 1904, but it took more than a century for the piece to receive its premiere performances in Poland, in February 2016. That’s when French conductor Jean-Luc Tingaud and the Krakow Philharmonic Orchestra joined forces with the Krakow Philharmonic Choir, directed by Teresa Majka-Pacanek and soprano […]

Conductor Jean-Luc Tingaud talks about Florent Schmitt’s choral masterpiece Psalm 47 (1904) and introducing the music to concert audiences in Poland.

“It’s the sensuality — as well as the expressive power borne from Florent Schmitt’s exceptional mastery of massed musical forces and contrasts …”  — Jean-Luc Tingaud, French Orchestral and Operatic Conductor This month, French conductor Jean-Luc Tingaud will be leading the first-ever concert performances of Florent Schmitt’s blockbuster choral work Psaume XLVII in Poland, conducting the […]

Florent Schmitt and the Prix de Rome: 1900-1904 (Musiques de plein air; Le Palais hanté; Psaume XLVII)

In the century-long period from 1850 to 1950, the Prix de Rome prize for composition was probably the single most important and prestigious recognition for any French composer. And for that reason, nearly every important French composer strove to win it. Offered to students at the Paris Conservatoire, winners of the award were rewarded with a handsome stipend, along with a multi-year stay […]

In the chamber of the Shulamite: The great sopranos who have performed and recorded Florent Schmitt’s Psalm 47 (1904).

The Psaume XLVII of Florent Schmitt is recognized as one of the most important choral works of the early 20th century.  And while it isn’t performed with great regularity, it has benefited from quality interpretations as revealed by some of the world’s leading conductors, ensembles and soloists. Particular pride of place goes to a group […]

Choral chromaticism par excellence: Florent Schmitt’s Cinq chœurs en vingt minutes for mixed chorus and large orchestra (1951).

Within the extensive catalogue of Florent Schmitt’s compositions are a great many vocal works — pieces written for solo voice or for chorus.  In fact, there are over 50 such opus numbers. Many of Schmitt’s choral works are based on sacred texts, although often the scores seem quite removed from a sense of piety.  Perhaps the best-known example of […]

American orchestra conductor JoAnn Falletta talks about performing and recording the music of Florent Schmitt (Antoine et Cléopâtre and Le Palais hanté).

Recorded in March 2015 by the Buffalo Philharmonic Orchestra, the pieces are slated for release on the NAXOS label later this year. Under its music director JoAnn Falletta, the Buffalo Philharmonic Orchestra has established something of a reputation for programming neglected scores from the late 19th and early 20th centuries, including performances in recent years of works […]