A link with music history: French composer Pierrette Mari’s remembrances of Florent Schmitt during the 1950s.

In a September 2025 interview, the 96-year-old composer shares her recollections of Florent Schmitt and his distinctive personality. In this year of 2025, it is difficult to imagine that there are any musicians alive who’d have had personal interactions with French composer Florent Schmitt. After all, Schmitt passed away in 1958, and nearly seven decades […]

An 80th Birthday Tribute to Florent Schmitt

The town of Saint-Cloud honored its longtime resident Florent Schmitt on the occasion of his 80th birthday, presenting a gala concert featuring his recent compositions. When Florent Schmitt turned 80 years old on September 28, 1950, he was the most prominent French composer of his generation who was still active creatively. To be sure, there […]

American pianist Matthew Bengtson talks about discovering and performing Trois danses (1934-35), Florent Schmitt’s captivating exploration of the dancing spirit.

In September and October 2023, American pianist Matthew Bengtson performed three recitals in which he introduced a selection that was new to his repertoire: Florent Schmitt’s Trois danses, Op. 86. Composed in 1934-35, the piece is a relatively late work among the voluminous quantity of piano music that Schmitt created for piano solo, duet and […]

French author Emmanuel Jourquin-Bourgeois talks about the life of his grandfather, Pierre Bourgeois, and his consequential tenure as head of Pathé-Marconi during the 1950s.

Recently, several photos were uploaded to Twitter that had been taken at a social event in Paris celebrating the release of the first-ever commercial recording of Florent Schmitt’s stunning choral composition Psaume XLVII.  Held in February 1953 at Pathé-Marconi headquarters, the event was attended by tout Paris – at least in terms of the classical […]

Florent Schmitt and the piano collection à l’Exposition: Musical vignettes of the Paris Exposition of 1937 (La Retardée).

For students of history, the International Exposition of Art and Technology in Modern Life — colloquially known as the Paris Exposition of 1937 — is one of those events that’s been the subject of much sociological dissection, seeing as how it was the last great transnational gathering held on the European continent prior to the […]

Musiques intimes (1891-1904): Captivating piano miniatures by Florent Schmitt that reveal the composer in his most introspective moods.

Florent Schmitt may be best-known for his opulent orchestral scores, most of which were written in the first three decades of the 20th century. But Schmitt’s compositional career, which spanned more than seven decades beginning in the late 1880s, contains so much more than just those creations. Taking a look at the composer’s extensive catalogue — […]

Exploring dance forms down through the ages: Florent Schmitt’s Trois danses (1935).

Florent Schmitt’s three instruments were the flute, the organ and the piano. Arguably the piano was the one he preferred most — at least based on the quantity of music he created — for within the catalogue of Schmitt’s compositions are vast swaths of music written for the piano solo, piano duet and duo. The […]

Made for the stage: The incredible life and career of dancer and dramatic actress Ida Rubinstein … and her 20-year collaboration with French composer Florent Schmitt.

“A sphinx, an enigmatic being … nature steeped in demanding contradictions and seductive by that very fact … she seemed to come from another world — one where she would have been despotically sovereign.” — René Dumesnil, from a tribute article published in Le Monde, October 25, 1960 In every era, there are always a […]

Spirit of the Dance: Florent Schmitt’s Suite sans esprit de suite (1937-38)

In the last two decades of his long life and extensive musical career, the composer Florent Schmitt would devote much of his energies to creating instrumental music and pieces for voice and choir. Indeed, by and large Schmitt’s later-career output eschewed the full orchestra — with a number of notable exceptions, among them the Introït, récit et congé […]