Hasards: A Quartet that Illustrates Florent Schmitt’s Highly Interesting Chamber Music Style (1943)

The chamber music pieces of Florent Schmitt are quite interesting and varied. Among them are wonderfully intimate works such as the Sonatine en Trio from 1934 which have a flavor somewhat similar to the chamber works of Schmitt’s compatriots Debussy and Ravel. But there are numerous other Schmitt compositions for chamber players that inhabit a different sound-world – more full-bodied and containing surprising […]

Duo-pianists Kasparov and Lutsyshyn talk about their new Florent Schmitt Recording Project

One of the most exciting recent recording projects featuring the music of Florent Schmitt is the complete duo-piano music being released in 2012-13 by Naxos Grand Piano. The four-CD traversal is performed by the Invencia Piano Duo: Andrey Kasparov and Oksana Lutsyshyn. The first of the four volumes in the series was released in late […]

Psalm XLVII: Florent Schmitt’s Astounding Choral Masterpiece (1904)

“… An extravagant outburst of highly perfumed Franco-exoticism at its most virile, heroic and exalted … I can’t think of another piece that achieves — or even attempts — quite the impact made by this work.” — Walter Simmons, author and music critic, Fanfare Magazine “Had Florent Schmitt endowed the heritage with only this single […]

The intimate Florent Schmitt: Suite en rocaille (1934) and Sonatine en trio (1935).

For music-lovers who know Florent Schmitt’s big orchestral works, it might be surprising to learn that the composer also wrote many pieces for solo instruments and chamber ensembles. There is a vast trove of music for solo and duo-piano, and some of these are the beneficiary of fine recordings made recently by pianists like Vincent Larderet, […]

La Tragédie de Salomé (1907/10): Florent Schmitt’s sinuous temptress, seducing audiences for over 100 years.

“[It] is like a half-hour visit to the pleasure dome in Xanadu, and if it doesn’t give you a few spiritual orgasms, then perhaps you need to insert Viagra® in each of your ears.”   — Raymond Tuttle, music critic, Fanfare Magazine “Florent Schmitt has much to say; his Tragédie de Salomé is a great […]